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Ogden Family Mourning Piece
Ellen Ogden, 1795–1870
Probably Litchfield, Connecticut, United S…
Ogden Family Mourning Piece
Ogden Family Mourning Piece
Ellen Ogden, 1795–1870
Probably Litchfield, Connecticut, United S…
Ogden Family Mourning Piece Ellen Ogden, 1795–1870 Probably Litchfield, Connecticut, United States 1813 Watercolor and ink on sitlk, with original reverse-painted eglomisé mat in original gilded wood frame 22 7/8 x 29" (frame) Colletion American Folk Art Museum, New York Gift of Raph Esmerian, 2013.1.42 Photo courtesy Southeby's, New York
Record Details

Ogden Family Mourning Piece

Artist ((1795–1870))
Date1813
Place/RegionProbably Litchfield, Connecticut, United States
MediumWatercolor and ink on silk, with original reverse-painted eglomisé mat in original gilded wood frame
Dimensions29 × 36 1/8 × 2" (framed)
Credit LineGift of Ralph Esmerian
Accession number2013.1.42
CopyrightThe American Folk Art Museum believes this work to be in the public domain.
Description

Ellen Ogden's mourning piece belongs to a group of ten similar memorials and is the only one with the date of execution inscribed on the glass mat of its original frame. Eight of these paintings have been published, and seven of the nine schoolgirls who painted them lived in three Connecticut towns. Ellen Ogden, Julia Ann Burr (1800–1819), and Sarah Turney (1801–?), who painted two pieces, were from Fairfield; Ruth Norton Upson (1795–1874) and Betsey Catlin (1799–1893) were from Bristol; and Sally Miller (c. 1783–?) and Delia Coe (1799–1846) were from Middletown. Positive identification is lacking for girls who painted pieces dedicated to McQueen family members of Branford, Connecticut, and to members of an unlocated Gilbert family.

The descendants of Betsey Catlin and Delia Coe left convincing evidence that their memorials were painted while the girls were students at Sarah Pierce's Female Academy in Litchfield, Connecticut. Miss Pierce's renowned school existed from 1792 until 1833 and attracted more than three thousand students from throughout America and even farther afield. Unfortunately, complete enrollment records have not survived, although similar memorials are attributed to her school because of documented examples. Miss Pierce is known to have had various unrecorded assistants who taught ornamental arts. Consequently the woman responsible for these impressive compositions remains unknown, and whether or not similar pieces were created under her instruction elsewhere is undetermined.

On nine of the related memorials, the mourners vary in number from six to twelve, but Ellen Ogden pictured only herself and her parents, for her painting commemorates the deaths of her six siblings—one older sister and five younger brothers. Ellen was the daughter of Sturges Ogden (1762–1835) and Zoa Thorp (1763–1832), of Fairfield. She married Ebenezer Silliman (1789–1864). They are both buried close to Ellen's parents and siblings in Fairfield's Greenfield Hill Cemetery. No evidence that they had children has been found.

Betty Ring, "Ogden Family Mourning Piece," in Stacy C. Hollander, American Radiance: The Ralph Esmerian Gift to the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 506-7.

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