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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Birds of Paradise</value></field><field label="Date" name="displayDate"><value>1959</value></field><field label="Dimensions" name="dimensions"><value>21 × 32"</value></field><field label="Medium" name="medium"><value>Oil on Formica table top</value></field><field label="Credit Line" name="creditline"><value>Gift of Nancy F. Green Karlins and Mark Thoman in honor of Ross Mary Green</value></field><field label="Accession number" name="invno"><value>2007.19.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>154678</value></field><field label="Source ID" name="sourceId"><value>3568</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Tuesday, January 17, 2012 - Sunday, September 2, 2012" exhibitionEndISODate="2012-09-02" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-01-17" exhibitionBeginDate="2012" exhibitionTitle="JUBILATION an act of rejoicing | RUMINATION an act of contemplation" exhibitionID="149"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="661">Justin McCarthy</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Signed" name="signed"><value>Signed lower left, "by Justin McCarthy"</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Weatherly</value></field><field name="geographyCity"><value>Weatherly</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Pennsylvania</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Weatherly</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Individuals deal with the vagaries of life in dramatically different ways. Justin McCarthy was driven inward to find solace and stability in the creative outlet of drawing and painting. He came from a well-to-do, professional family, but his early years were marked by the deaths of his brother and father and the loss of most of the family savings in the 1908 stock market panic. McCarthy entered law school but was unable to complete his degree and suffered a nervous breakdown. He spent several years in institutional care, where he began painting in watercolor and drawing in pencil, activities he continued upon his return to his family’s decayed mansion. He expanded his artmaking materials to include crayon, oil, acrylic, and recycled substrates, such as file folders and castoff furniture like this Formica tabletop. McCarthy’s work expresses a love of beauty and glamour in any form, from beautiful women to sports figures to nature. Many of his subjects—perhaps these birds of paradise—were inspired by images culled from National Geographic, Life, and other popular magazines.

Stacy C. Hollander, "Birds of Paradise," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3145/full" mediaId="3145"/></field><field label="Begin Date" name="beginDate"><value>1959</value></field><field label="End Date" name="endDate"><value>1959</value></field><field label="Sort Number" name="sortNumber"><value>  2007    19    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Individuals deal with the vagaries of life in dramatically different ways. Justin McCarthy was driven inward to find solace and stability in the creative outlet of drawing and painting. He came from a well-to-do, professional family, but his early years were marked by the deaths of his brother and father and the loss of most of the family savings in the 1908 stock market panic. McCarthy entered law school but was unable to complete his degree and suffered a nervous breakdown. He spent several years in institutional care, where he began painting in watercolor and drawing in pencil, activities he continued upon his return to his family’s decayed mansion. He expanded his artmaking materials to include crayon, oil, acrylic, and recycled substrates, such as file folders and castoff furniture like this Formica tabletop. McCarthy’s work expresses a love of beauty and glamour in any form, from beautiful women to sports figures to nature. Many of his subjects—perhaps these birds of paradise—were inspired by images culled from National Geographic, Life, and other popular magazines.

Stacy C. Hollander, "Birds of Paradise," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>