Acrobatic Toysc. 19893 × 12 1/2 × 1/2"Wood, crayon, string, and metalMuseum Purchase with funds provided by the Ford Motor Company2007.4.7A,B,C015462435082007.4.72007.4.7A2007.4.7A,BJosé BelandriaToys and GamesCopyright for this work is under review. MéridaMéridaVenezuelaThree Dimensional WorksMéridaThe Folk Art of Latin America: Visiones Del Pueblo, Marion Oettinger, Jr. Museum of American Folk Art, Dutton Publications, 1992.
Squeeze toys such as these are found all over the world, and they have entertained children for generations. José Belandria, a wood-carver from the Andean city of Mérida, Venezuela, produces some of the finest toys in Latin America. He pays special attention to detail, especially in his rendering of facial features that are exceptionally fine and sharp. These three figures accurately represent his skills as a wood-carver and toy maker.
Marion Oettinger, Jr., "Jumping Jacks," The Folk Art of Latin America: Visiones Del Pueblo (New York: Dutton Studio Books in association with the Museum of American Folk Art, 1992), 75.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.
To help improve this record, please email photoservices@folkartmuseum.org2007.4.72007.4.7A2007.4.7A,B19841994 2007 4 7A B C
Squeeze toys such as these are found all over the world, and they have entertained children for generations. José Belandria, a wood-carver from the Andean city of Mérida, Venezuela, produces some of the finest toys in Latin America. He pays special attention to detail, especially in his rendering of facial features that are exceptionally fine and sharp. These three figures accurately represent his skills as a wood-carver and toy maker.
Marion Oettinger, Jr., "Jumping Jacks," The Folk Art of Latin America: Visiones Del Pueblo (New York: Dutton Studio Books in association with the Museum of American Folk Art, 1992), 75.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.
To help improve this record, please email photoservices@folkartmuseum.org