<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>"Ella" Crazy Quilt</value></field><field label="Date" name="displayDate"><value>1922</value></field><field label="Dimensions" name="dimensions"><value>84 × 68"</value></field><field label="Medium" name="medium"><value>Suiting woolens with cotton floss embroidery</value></field><field label="Credit Line" name="creditline"><value>Gift of Frances S. Martinson</value></field><field label="Accession number" name="invno"><value>2006.4.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>show quilt</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>154583</value></field><field label="Source ID" name="sourceId"><value>3434</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Tuesday, January 17, 2012 - Sunday, September 2, 2012" exhibitionEndISODate="2012-09-02" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-01-17" exhibitionBeginDate="2012" exhibitionTitle="JUBILATION an act of rejoicing | RUMINATION an act of contemplation" exhibitionID="149"/><value exhibitionDisplayDate="Saturday, June 12, 2021 - Saturday, December 7, 2024" exhibitionEndISODate="2024-12-07" exhibitionEndDate="2024" exhibitionISOBeginDate="2021-06-12" exhibitionBeginDate="2021" exhibitionTitle="Handstitched Worlds (Travel)" exhibitionID="244"/><value exhibitionDisplayDate="Monday, July 16, 2018 - Wednesday, October 3, 2018" exhibitionEndISODate="2018-10-03" exhibitionEndDate="2018" exhibitionISOBeginDate="2018-07-16" exhibitionBeginDate="2018" exhibitionTitle="Handstitched Worlds: The Cartography of Quilts" exhibitionID="226"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Inscribed" name="inscribed"><value>'1922'</value></field><field label="Signed" name="signed"><value>'Ella'</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Textiles</value><value>eMuseum - Collection Highlights</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>The late nineteenth and early twentieth centuries saw huge influxes of immigrants from Eastern Europe, many of whom were skilled in the textile and tailoring trades. This, combined with the growth of the ready-made clothing industry, gave rise to a fashion for quilts pieced from remnants of coarse and fine woven suiting woolens. This example is a late interpretation of the nineteenth-century Crazy quilt. It does not display the rich jewel-tone velvets, brocades, and silks embellished with extravagant embroidery that were typical of the earlier Crazy quilts. Instead, it is a subdued study in monochromatic shades of black and dark colors, punctuated by a “road map” of light-color embroidery that traces across the surface.

Stacy C. Hollander, "Ella Crazy Quilt," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>QUILT</value><value>Textiles</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3128/full" mediaId="3128"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3129/full" mediaId="3129"/></field><field label="Begin Date" name="beginDate"><value>1922</value></field><field label="End Date" name="endDate"><value>1922</value></field><field label="Sort Number" name="sortNumber"><value>  2006     4    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>The late nineteenth and early twentieth centuries saw huge influxes of immigrants from Eastern Europe, many of whom were skilled in the textile and tailoring trades. This, combined with the growth of the ready-made clothing industry, gave rise to a fashion for quilts pieced from remnants of coarse and fine woven suiting woolens. This example is a late interpretation of the nineteenth-century Crazy quilt. It does not display the rich jewel-tone velvets, brocades, and silks embellished with extravagant embroidery that were typical of the earlier Crazy quilts. Instead, it is a subdued study in monochromatic shades of black and dark colors, punctuated by a “road map” of light-color embroidery that traces across the surface.

Stacy C. Hollander, "Ella Crazy Quilt," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>QUILT</value><value>Textiles</value></field></object>