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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Untitled #13 (Blue Quilt)</value></field><field label="Date" name="displayDate"><value>2002–2005</value></field><field label="Dimensions" name="dimensions"><value>12 3/4 × 25"</value></field><field label="Medium" name="medium"><value>Ballpoint pen on graph paper</value></field><field label="Credit Line" name="creditline"><value>Gift of the artist and Stuart Shepherd</value></field><field label="Accession number" name="invno"><value>2005.22.2</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>154580</value></field><field label="Source ID" name="sourceId"><value>3429</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, September 14, 2005 - Sunday, March 19, 2006" exhibitionEndISODate="2006-03-19" exhibitionEndDate="2006" exhibitionISOBeginDate="2005-09-14" exhibitionBeginDate="2005" exhibitionTitle="Obsessive Drawing" exhibitionID="133"/><value exhibitionDisplayDate="Tuesday, January 17, 2012 - Sunday, September 2, 2012" exhibitionEndISODate="2012-09-02" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-01-17" exhibitionBeginDate="2012" exhibitionTitle="JUBILATION an act of rejoicing | RUMINATION an act of contemplation" exhibitionID="149"/><value exhibitionDisplayDate="Tuesday, October 7, 2008 - Sunday, April 5, 2009" exhibitionEndISODate="2009-04-05" exhibitionEndDate="2009" exhibitionISOBeginDate="2008-10-07" exhibitionBeginDate="2008" exhibitionTitle="In the Atrium: Recent Gifts to the Collection" exhibitionID="193"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="778">Martin Thompson</value></field><field label="Classification(s)" name="classifications"><value>Drawings</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Wellington</value></field><field name="geographyCity"><value>Wellington</value></field><field name="geographyCountry"><value>New Zealand</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Works on Paper</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Wellington</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>WORK ON PAPER</value><value>Using a single color ballpoint pen on graph paper, a handsaw as a straightedge, a small scalpel, and Scotch tape, New Zealand self-taught artist Martin Thompson draws demanding diptychs that are derived from fractal iterations. The artist develops a mathematical sequence in his mind based on multiples of ten. He visualizes the sequence and transfers it to graph paper scaled in millimeters. On a second sheet of paper the artist recreates the sequence in reverse as a mirror image; the mimetic result is conceived and presented as a single work of art.
Stacy C. Hollander, "Untitled #13 (Blue Quilt)," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2972/full" mediaId="2972"/></field><field label="Begin Date" name="beginDate"><value>2002</value></field><field label="End Date" name="endDate"><value>2005</value></field><field label="Sort Number" name="sortNumber"><value>  2005    22    2                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>WORK ON PAPER</value><value>Using a single color ballpoint pen on graph paper, a handsaw as a straightedge, a small scalpel, and Scotch tape, New Zealand self-taught artist Martin Thompson draws demanding diptychs that are derived from fractal iterations. The artist develops a mathematical sequence in his mind based on multiples of ten. He visualizes the sequence and transfers it to graph paper scaled in millimeters. On a second sheet of paper the artist recreates the sequence in reverse as a mirror image; the mimetic result is conceived and presented as a single work of art.
Stacy C. Hollander, "Untitled #13 (Blue Quilt)," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>