{"object":[{"sourceId":{"label":"Source ID","value":"3427"},"copyright":{"label":"Copyright","value":"Copyright for this work is under review."},"creditline":{"label":"Credit Line","value":"Gift of the artist and Cavin-Morris Gallery"},"endDate":{"label":"End Date","value":"1995"},"sortNumber":{"label":"Sort Number","value":"2005    21    1"},"invno":{"label":"Accession number","value":"2005.21.1"},"medium":{"label":"Medium","value":"Graphite and ink on paper"},"geographyPlaceregion":{"label":"Place/Region","value":["",""]},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/2970/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"2970"}},"title":{"label":"Title","value":"Intertion/Burden of Unfamiliar Landscape"},"geographyCity":{"value":["",""]},"textEntriesWebsitedisplaytext":{"value":["Although Chris Hipkiss has often been identified as a male artist creating alone, the name in fact refers to two artists working in close collaboration: Alpha and Chris Mason. Together, they have created both large-scale works that feel like filmic treatises and smaller images, such as this one, which are like previews for a psychological thriller.With their horizontal format, monumental scale, and depictions of strange beings, the larger pieces have been compared to watercolors by Henry Darger and drawings by Paul Noble. Like the work of Darger and Noble, Hipkiss\u2019s enigmatic tableaux may produce uncanny sensations of both recognition and alienation. The architectural structures can appear biomorphic or industrial in character, while the human figures\u2014who Chris describes as alter-egos\u2014are not recognizably from any time or place. The futuristic quality of these drawings is further enhanced by the barcode used as the duo\u2019s signature, as well as by the particular use of language. Hipkiss\u2019s mysterious, poetic titles are often executed in an irreverent manner and are as chimeric as the figures and fragments that populate the landscapes themselves. The drawings are rendered in pencil and sometimes a silver-ink underlay for detail and highlighting, and there is lushness to Chris\u2019s pencil line. The artists have been working on small drawings over the last several years, creating them in a studio that doubles as the couple\u2019s sitting room. Chris has been known to spend days drawing the more taxing components of these intricate pictures, while Alpha provides integral compositional and thematic direction. Despite the overall otherworldly character of Hipkiss\u2019s scenery, elements of it have been inspired by memories of Alpha\u2019s hometown of Doddington, England, as well as Chris\u2019s childhood near the Thames. Today the Masons live amid the inspiring landscapes of another region: the South of France.By Katherine Jentleson and Valérie Rousseau, 2014Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","WORK ON PAPER"]},"collections":{"label":"Collections","value":["Works on Paper","eMuseum - Collection Highlights"]},"geography":{"label":"Geography","value":["",""]},"id":{"label":"Id","value":"154578"},"geographyState":{"value":["",""]},"geographyCountry":{"value":["France","England"]},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"247","content":"Hipkiss"}},"classifications":{"label":"Classification(s)","value":"Drawings"},"textEntries":{"label":"Text Entries","value":["Although Chris Hipkiss has often been identified as a male artist creating alone, the name in fact refers to two artists working in close collaboration: Alpha and Chris Mason. Together, they have created both large-scale works that feel like filmic treatises and smaller images, such as this one, which are like previews for a psychological thriller.With their horizontal format, monumental scale, and depictions of strange beings, the larger pieces have been compared to watercolors by Henry Darger and drawings by Paul Noble. Like the work of Darger and Noble, Hipkiss\u2019s enigmatic tableaux may produce uncanny sensations of both recognition and alienation. The architectural structures can appear biomorphic or industrial in character, while the human figures\u2014who Chris describes as alter-egos\u2014are not recognizably from any time or place. The futuristic quality of these drawings is further enhanced by the barcode used as the duo\u2019s signature, as well as by the particular use of language. Hipkiss\u2019s mysterious, poetic titles are often executed in an irreverent manner and are as chimeric as the figures and fragments that populate the landscapes themselves. The drawings are rendered in pencil and sometimes a silver-ink underlay for detail and highlighting, and there is lushness to Chris\u2019s pencil line. The artists have been working on small drawings over the last several years, creating them in a studio that doubles as the couple\u2019s sitting room. Chris has been known to spend days drawing the more taxing components of these intricate pictures, while Alpha provides integral compositional and thematic direction. Despite the overall otherworldly character of Hipkiss\u2019s scenery, elements of it have been inspired by memories of Alpha\u2019s hometown of Doddington, England, as well as Chris\u2019s childhood near the Thames. Today the Masons live amid the inspiring landscapes of another region: the South of France.By Katherine Jentleson and Valérie Rousseau, 2014Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","WORK ON PAPER"]},"beginDate":{"label":"Begin Date","value":"1995"},"displayDate":{"label":"Date","value":"1995"},"exhibitions":{"label":"Exhibitions","value":{"exhibitionDisplayDate":"Tuesday, October 7, 2008 - Sunday, April 5, 2009","exhibitionEndISODate":"2009-04-05","exhibitionID":"193","exhibitionISOBeginDate":"2008-10-07","exhibitionBeginDate":"2008","exhibitionTitle":"In the Atrium: Recent Gifts to the Collection","exhibitionEndDate":"2009"}},"dimensions":{"label":"Dimensions","value":"29 × 19\""}}]}