<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Candlestand</value></field><field label="Date" name="displayDate"><value>c. 1850</value></field><field label="Dimensions" name="dimensions"><value>26 x 20 x 19 3/4 " (66 x 50.8 x 50.2 cm)</value></field><field label="Medium" name="medium"><value>Cherry and metal</value></field><field label="Credit Line" name="creditline"><value>Gift of Robert Bishop</value></field><field label="Accession number" name="invno"><value>1992.10.3</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152217</value></field><field label="Source ID" name="sourceId"><value>34</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, April 13, 1989 - Sunday, July 16, 1989" exhibitionEndISODate="1989-07-16" exhibitionEndDate="1989" exhibitionISOBeginDate="1989-04-13" exhibitionBeginDate="1989" exhibitionTitle="Expressions of A New Spirit" exhibitionID="7"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Furniture/Furnishings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Culture" name="culture"><value>Shaker</value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20167</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>New Lebanon</value></field><field name="geographyCity"><value>New Lebanon</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>New York</value></field><field label="Bibliography" name="bibliography"><value>Treasures of Folk Art: Museum of American Folk Art</value></field><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>New Lebanon</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>FURNITURE</value><value>
The design of the Shaker round stand is based on Federal tables made at the beginning of the nineteenth century. Shaker designs tended to be conservative and changed little throughout most of the nineteenth century.

Elizabeth V. Warren and Stacy C. Hollander, "Tripod Base Round Stand," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 127</value><value>Candlestand was likely varnished at a later date. Pegs lining the edge of the table top is unusual.</value><value>Shaker object</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20167</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20167</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20167</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2299/full" mediaId="2299"/></field><field label="Begin Date" name="beginDate"><value>1845</value></field><field label="End Date" name="endDate"><value>1855</value></field><field label="Sort Number" name="sortNumber"><value>  1992    10    3                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>FURNITURE</value><value>
The design of the Shaker round stand is based on Federal tables made at the beginning of the nineteenth century. Shaker designs tended to be conservative and changed little throughout most of the nineteenth century.

Elizabeth V. Warren and Stacy C. Hollander, "Tripod Base Round Stand," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 127</value><value>Candlestand was likely varnished at a later date. Pegs lining the edge of the table top is unusual.</value><value>Shaker object</value></field></object>