<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Untitled #7B</value></field><field label="Date" name="displayDate"><value>1950–2003</value></field><field label="Dimensions" name="dimensions"><value>16 x 21 " (40.6 x 53.3 cm)</value></field><field label="Medium" name="medium"><value>India ink on graph paper</value></field><field label="Credit Line" name="creditline"><value>Gift of the artist</value></field><field label="Accession number" name="invno"><value>2005.18.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>154548</value></field><field label="Source ID" name="sourceId"><value>3390</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Saturday, May 22, 2021 - Sunday, October 8, 2023" exhibitionEndISODate="2023-10-08" exhibitionEndDate="2023" exhibitionISOBeginDate="2021-05-22" exhibitionBeginDate="2021" exhibitionTitle="American Perspectives (Travel)" exhibitionID="245"/><value exhibitionDisplayDate="Wednesday, September 14, 2005 - Sunday, March 19, 2006" exhibitionEndISODate="2006-03-19" exhibitionEndDate="2006" exhibitionISOBeginDate="2005-09-14" exhibitionBeginDate="2005" exhibitionTitle="Obsessive Drawing" exhibitionID="133"/><value exhibitionDisplayDate="Tuesday, January 17, 2012 - Sunday, September 2, 2012" exhibitionEndISODate="2012-09-02" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-01-17" exhibitionBeginDate="2012" exhibitionTitle="JUBILATION an act of rejoicing | RUMINATION an act of contemplation" exhibitionID="149"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="381">Eugene Andolsek</value></field><field label="Classification(s)" name="classifications"><value>Drawings</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Crabtree</value></field><field name="geographyCity"><value>Crabtree</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Pennsylvania</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Works on Paper</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Crabtree</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>drawing</value><value>Eugene Andolsek created thousands of ink drawings over the course of fifty years, rarely sharing them with anyone. In 1950, after he saw an ink work at an art show, Andolsek began a nightly ritual of drawing at his kitchen table using a straightedge and a compass. First he created the black outlines—the “designs,” as he called them—and then filled them in with beautiful colors achieved through his own careful mixing of store-bought inks. The artist described his process as methodical but also noted that the psychedelic whirls and pulsating patterns just “came out” of him, sometimes without his conscious awareness.

Stacy C. Hollander, "Untitled #7B," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>WORKS ON PAPER</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2963/full" mediaId="2963"/></field><field label="Begin Date" name="beginDate"><value>1950</value></field><field label="End Date" name="endDate"><value>2003</value></field><field label="Sort Number" name="sortNumber"><value>  2005    18    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>drawing</value><value>Eugene Andolsek created thousands of ink drawings over the course of fifty years, rarely sharing them with anyone. In 1950, after he saw an ink work at an art show, Andolsek began a nightly ritual of drawing at his kitchen table using a straightedge and a compass. First he created the black outlines—the “designs,” as he called them—and then filled them in with beautiful colors achieved through his own careful mixing of store-bought inks. The artist described his process as methodical but also noted that the psychedelic whirls and pulsating patterns just “came out” of him, sometimes without his conscious awareness.

Stacy C. Hollander, "Untitled #7B," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>WORKS ON PAPER</value></field></object>