Covered Jar with Star Decoration182210 x 5 3/4 x 5 3/4 " (25.4 x 14.6 x 14.6 cm)Glazed red earthenwareGift of Ralph Esmerian2005.8.220Ovoid crock with rolled neck and steep cover, button handle - highly glazed over decoration of tulip springing from heart, geometric star motifs. Cover with geometric floral design.1545213360P1.2001.095Solomon GrimmContainersThe American Folk Art Museum believes this work to be in the public domain.Pennsylvania GermanIncised in bottom: 12/GS?; dated 1822, contained in hearthttp://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24556United StatesPennsylvaniaThree Dimensional WorksPennsylvania German redware pottery is characterized by a strong legacy of tradition in technique and decoration. Yet it also provided great possibilities for personal expression on the part of the potter, as evidenced by this jar, the work of Solomon Grimm, who is known particularly for his dense sgraffito patterning and heavy slip decoration. The incandescent star fairly vibrates with energy; each point has feathery rays that intensify the sense of scintillation, and the diamonds that form the primary eight-pointed star are each filled with cross-hatching and spotted patterning. The celestial glow that results from the surface embellishment is unique to Grimm, though the vessel itself draws on late eighteenth-century forms and patterns. Grimm may have trained with John Leisenring, an immigrant potter from Silesia who continued to employ Old World techniques, before apprenticing from 1815 to 1825 with a potter named Weiss in Rockland Township. Grimm’s signed and dated pieces fall primarily within these years.
Stacy C. Hollander, “Covered Jar with Star Decoration,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.
To help improve this record, please email photoservices@folkartmuseum.orgpotteryPennsylvania German redware pottery is characterized by a strong legacy of tradition in technique and decoration. Yet it also provided great possibilities for personal expression on the part of the potter, as evidenced by this jar, the work of Solomon Grimm, who is known particularly for his dense sgraffito patterning and heavy slip decoration. The incandescent star fairly vibrates with energy; each point has feathery rays that intensify the sense of scintillation, and the diamonds that form the primary eight-pointed star are each filled with cross-hatching and spotted patterning. The celestial glow that results from the surface embellishment is unique to Grimm, though the vessel itself draws on late eighteenth-century forms and patterns. Grimm may have trained with John Leisenring, an immigrant potter from Silesia who continued to employ Old World techniques, before apprenticing from 1815 to 1825 with a potter named Weiss in Rockland Township. Grimm’s signed and dated pieces fall primarily within these years.
Stacy C. Hollander, “Covered Jar with Star Decoration,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014. http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24556http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24556http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24556P1.2001.09518221822 2005 8 22 Pennsylvania German redware pottery is characterized by a strong legacy of tradition in technique and decoration. Yet it also provided great possibilities for personal expression on the part of the potter, as evidenced by this jar, the work of Solomon Grimm, who is known particularly for his dense sgraffito patterning and heavy slip decoration. The incandescent star fairly vibrates with energy; each point has feathery rays that intensify the sense of scintillation, and the diamonds that form the primary eight-pointed star are each filled with cross-hatching and spotted patterning. The celestial glow that results from the surface embellishment is unique to Grimm, though the vessel itself draws on late eighteenth-century forms and patterns. Grimm may have trained with John Leisenring, an immigrant potter from Silesia who continued to employ Old World techniques, before apprenticing from 1815 to 1825 with a potter named Weiss in Rockland Township. Grimm’s signed and dated pieces fall primarily within these years.
Stacy C. Hollander, “Covered Jar with Star Decoration,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.
To help improve this record, please email photoservices@folkartmuseum.orgpotteryPennsylvania German redware pottery is characterized by a strong legacy of tradition in technique and decoration. Yet it also provided great possibilities for personal expression on the part of the potter, as evidenced by this jar, the work of Solomon Grimm, who is known particularly for his dense sgraffito patterning and heavy slip decoration. The incandescent star fairly vibrates with energy; each point has feathery rays that intensify the sense of scintillation, and the diamonds that form the primary eight-pointed star are each filled with cross-hatching and spotted patterning. The celestial glow that results from the surface embellishment is unique to Grimm, though the vessel itself draws on late eighteenth-century forms and patterns. Grimm may have trained with John Leisenring, an immigrant potter from Silesia who continued to employ Old World techniques, before apprenticing from 1815 to 1825 with a potter named Weiss in Rockland Township. Grimm’s signed and dated pieces fall primarily within these years.
Stacy C. Hollander, “Covered Jar with Star Decoration,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014.