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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Centaur Weathervane</value></field><field label="Date" name="displayDate"><value>1860–1880</value></field><field label="Dimensions" name="dimensions"><value>50 1/2 x 43 x 29 "</value></field><field label="Medium" name="medium"><value>Copper with gold leaf, with iron directionals</value></field><field label="Credit Line" name="creditline"><value>Gift of Ralph Esmerian</value></field><field label="Accession number" name="invno"><value>2005.8.54</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Running horse with man's bare upper torso, aiming bow and arrow properly straight ahead, beard and full head of hair. Head, arms, tail, bow in sheet metal. Body and 2 legs molded. Whole surface covered in sheets of gold leaf. Mounted on arrow turning foot with curly ironwork facing S curves with horizontal posts holding directionals. Curlicues attached w/screws to 3 rings T, C, B.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>154513</value></field><field label="Source ID" name="sourceId"><value>3352</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Monday, January 28, 1974 - Sunday, April 7, 1974" exhibitionEndISODate="1974-04-07" exhibitionEndDate="1974" exhibitionISOBeginDate="1974-01-28" exhibitionBeginDate="1974" exhibitionTitle="The Edith Barenholtz Folk Art Collection of Nineteenth Century Weathervanes and Trade Signs" exhibitionID="305"/><value exhibitionDisplayDate="Wednesday, June 20, 2012 - Sunday, October 7, 2012" exhibitionEndISODate="2012-10-07" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-06-20" exhibitionBeginDate="2012" exhibitionTitle="COMPASS: Folk Art in Four Directions" exhibitionID="151"/><value exhibitionDisplayDate="Wednesday, June 23, 2021 - Sunday, January 2, 2022" exhibitionEndISODate="2022-01-02" exhibitionEndDate="2022" exhibitionISOBeginDate="2021-06-23" exhibitionBeginDate="2021" exhibitionTitle="American Weathervanes" exhibitionID="255"/><value exhibitionDisplayDate="Tuesday, December 11, 2001 - Sunday, June 2, 2002" exhibitionEndISODate="2002-06-02" exhibitionEndDate="2002" exhibitionISOBeginDate="2001-12-11" exhibitionBeginDate="2001" exhibitionTitle="American Radiance" exhibitionID="207"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value><value displayOrder="2" personRole="Artist" personID="946">A.L. Jewell &amp; Co.</value></field><field label="Classification(s)" name="classifications"><value>Architecture</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster22629</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Hollis</value></field><field name="geographyCity"><value>Hollis</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>New Hampshire</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Three Dimensional Works</value><value>eMuseum - Collection Highlights</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Hollis</value></field><field label="Label Text" name="labelText"><value>This magnificent centaur is from the barn of the Abel Colburn farm in Hollis, New Hampshire, which was built in 1854. In addition to its fine condition, it is particularly notable for the geometric pattern on its gilded surface, created by the weathering of squares of gold leaf. Several other centaur weathervanes have survived, suggesting that the subject was fairly popular in the second half of the nineteenth century. An example by the same maker is in the collection of the Shelburne Museum in Shelburne, Vermont.

Half man and half horse, the mythological centaur personifies man's dual nature. Embodying the conflict between instinct and intellect, he epitomizes masculine strength and aggression while at the same time he possesses divine wisdom and knowledge. In ancient Greece, the most celebrated centaur was Chiron, a great and wise teacher who had himself been instructed by Apollo and Artemis. As a constellation and the ninth sign of the zodiac, he is Sagittarius.

This centaur was probably made by A.L. Jewell &amp; Company. An innovater in the development and marketing of three-dimensional copper weathervanes, Alvin L. Jewell founded his company in Waltham, Massachusetts, in 1852. In addition to creating many distinctive designs, he seems to have been the first to issue illustrated price lists for mail orders. Although he died prematurely, in June 1867, his business practices provided a model for many of the weathervane makers who followed him. The attribution of this weathervane and similar examples is complicated by the fact that Jewell was succeeded by Cushing &amp; White in 1867, which became L.W. Cushing &amp; Sons in 1872. The Cushing company continued to produce weathervanes from Jewell's patterns while also creating new types.

Ralph Sessions, "Centaur Weathervane," in Stacy C. Hollander, American Radiance: The Ralph Esmerian Gift to the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 537–538.
</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>This magnificent centaur is from the barn of the Abel Colburn farm in Hollis, New Hampshire, which was built in 1854. In addition to its fine condition, it is particularly notable for the geometric pattern on its gilded surface, created by the weathering of squares of gold leaf. Several other centaur weathervanes have survived, suggesting that the subject was fairly popular in the second half of the nineteenth century. An example by the same maker is in the collection of the Shelburne Museum in Shelburne, Vermont.Half man and half horse, the mythological centaur personifies man's dual nature. Embodying the conflict between instinct and intellect, he epitomizes masculine strength and aggression while at the same time he possesses divine wisdom and knowledge. In ancient Greece, the most celebrated centaur was Chiron, a great and wise teacher who had himself been instructed by Apollo and Artemis. As a constellation and the ninth sign of the zodiac, he is Sagittarius.This centaur was probably made by A.L. Jewell &amp; Company. An innovator in the development and marketing of three-dimensional copper weathervanes, Alvin L. Jewell founded his company in Waltham, Massachusetts, in 1852. In addition to creating many distinctive designs, he seems to have been the first to issue illustrated price lists for mail orders. Although he died prematurely, in June 1867, his business practices provided a model for many of the weathervane makers who followed him. The attribution of this weathervane and similar examples is complicated by the fact that Jewell was succeeded by Cushing &amp; White in 1867, which became L.W. Cushing &amp; Sons in 1872. The Cushing company continued to produce weathervanes from Jewell's patterns while also creating new types.Ralph Sessions, "Centaur Weathervane," in Stacy C. Hollander, American Radiance: The Ralph Esmerian Gift to the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 537–538.</value><value>This magnificent centaur is from the barn of the Abel Colburn farm in Hollis, New Hampshire, which was built in 1854. In addition to its fine condition, it is particularly notable for the geometric pattern on its gilded surface, created by the weathering of squares of gold leaf. Several other centaur weathervanes have survived, suggesting that the subject was fairly popular in the second half of the nineteenth century. An example by the same maker is in the collection of the Shelburne Museum in Shelburne, Vermont.
Half man and half horse, the mythological centaur personifies man's dual nature. Embodying the conflict between instinct and intellect, he epitomizes masculine strength and aggression while at the same time he possesses divine wisdom and knowledge. In ancient Greece, the most celebrated centaur was Chiron, a great and wise teacher who had himself been instructed by Apollo and Artemis. As a constellation and the ninth sign of the zodiac, he is Sagittarius.
Ralph Sessions, "Centaur Weathervane," in Stacy C. Hollander, American Radiance: The Ralph Esmerian Gift to the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 537–538.Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value><value>Identical to vane at Shelburne Museum and similar to at least six others. When sold it set a record for a production weathervane sold at auction. Vane removed from Abel Colburn House in Hollis, New Hampshire.</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster22629</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster22629</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster22629</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3004/full" mediaId="3004"/></field><field label="Begin Date" name="beginDate"><value>1860</value></field><field label="End Date" name="endDate"><value>1880</value></field><field label="Sort Number" name="sortNumber"><value>  2005     8   54                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>This magnificent centaur is from the barn of the Abel Colburn farm in Hollis, New Hampshire, which was built in 1854. In addition to its fine condition, it is particularly notable for the geometric pattern on its gilded surface, created by the weathering of squares of gold leaf. Several other centaur weathervanes have survived, suggesting that the subject was fairly popular in the second half of the nineteenth century. An example by the same maker is in the collection of the Shelburne Museum in Shelburne, Vermont.Half man and half horse, the mythological centaur personifies man's dual nature. Embodying the conflict between instinct and intellect, he epitomizes masculine strength and aggression while at the same time he possesses divine wisdom and knowledge. In ancient Greece, the most celebrated centaur was Chiron, a great and wise teacher who had himself been instructed by Apollo and Artemis. As a constellation and the ninth sign of the zodiac, he is Sagittarius.This centaur was probably made by A.L. Jewell &amp; Company. An innovator in the development and marketing of three-dimensional copper weathervanes, Alvin L. Jewell founded his company in Waltham, Massachusetts, in 1852. In addition to creating many distinctive designs, he seems to have been the first to issue illustrated price lists for mail orders. Although he died prematurely, in June 1867, his business practices provided a model for many of the weathervane makers who followed him. The attribution of this weathervane and similar examples is complicated by the fact that Jewell was succeeded by Cushing &amp; White in 1867, which became L.W. Cushing &amp; Sons in 1872. The Cushing company continued to produce weathervanes from Jewell's patterns while also creating new types.Ralph Sessions, "Centaur Weathervane," in Stacy C. Hollander, American Radiance: The Ralph Esmerian Gift to the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 537–538.</value><value>This magnificent centaur is from the barn of the Abel Colburn farm in Hollis, New Hampshire, which was built in 1854. In addition to its fine condition, it is particularly notable for the geometric pattern on its gilded surface, created by the weathering of squares of gold leaf. Several other centaur weathervanes have survived, suggesting that the subject was fairly popular in the second half of the nineteenth century. An example by the same maker is in the collection of the Shelburne Museum in Shelburne, Vermont.
Half man and half horse, the mythological centaur personifies man's dual nature. Embodying the conflict between instinct and intellect, he epitomizes masculine strength and aggression while at the same time he possesses divine wisdom and knowledge. In ancient Greece, the most celebrated centaur was Chiron, a great and wise teacher who had himself been instructed by Apollo and Artemis. As a constellation and the ninth sign of the zodiac, he is Sagittarius.
Ralph Sessions, "Centaur Weathervane," in Stacy C. Hollander, American Radiance: The Ralph Esmerian Gift to the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 537–538.Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value><value>Identical to vane at Shelburne Museum and similar to at least six others. When sold it set a record for a production weathervane sold at auction. Vane removed from Abel Colburn House in Hollis, New Hampshire.</value></field></object>