<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Saturday Night</value></field><field label="Date" name="displayDate"><value>1965</value></field><field label="Dimensions" name="dimensions"><value>13 1/2 x 17 1/2 "
Frame: 16 1/2 x 20 3/4 x 1/2 "</value></field><field label="Medium" name="medium"><value>Oil on board</value></field><field label="Credit Line" name="creditline"><value>Museum of American Folk Art purchase in memory of Mr. and Mrs. R.A. Siegel, Atlanta, Georgia</value></field><field label="Accession number" name="invno"><value>1987.19.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Painting of Saturday night revieries with eight figures drinking and fighting around a central red house with sloping black roof: poplar-type trees LS and RS on grassy ground.  Man drinking from bottle sits on roof URS wearing wide brimmed hat: man by steps holding long tube wearing cap dropping liquid to man lying supine on ground drinking from bottle.  Two men fighting on ground: center, woman in blue dress and man in orange shirt sharing drink; man wearing lilac shirt leaning against tree RS drinking from bottle. House with central circular window with stylized fan: window RS and door LS with two steps.  Against yellow-tan background with atmospheric streaks of blue and purple across upper sky.  </value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152430</value></field><field label="Source ID" name="sourceId"><value>315</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="264">Clementine Hunter</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Inscribed" name="inscribed"><value>verso: 'Saturday Night'</value></field><field label="Markings" name="markings"><value>verso printed on label: '#36  "Saturday Night" Clementine Hunter'</value></field><field label="Signed" name="signed"><value>lower right: 'ↃH'</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Natchitoches</value></field><field name="geographyCity"><value>Natchitoches</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Louisiana</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Natchitoches</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Many of her paintings depict scenes of life around the plantation, the cotton industry of the plantation and scenes connected with the religious life of her community.  A building known as the African House, standing on the plantation, now houses the paintings of Clementine Hunter as well her murals of plantation life executed in the 1950's.  These murals include a "Saturday Night" segment.  This was one of Hunter's repeated themes, often called "Saturday Night at the Honky Tonk."  The building depicted in the paintings actually exists on the banks of the Cane River, across from her house.  The building, known as "Bubba's" has since burned.</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1901/full" mediaId="1901"/></field><field label="Begin Date" name="beginDate"><value>1965</value></field><field label="End Date" name="endDate"><value>1965</value></field><field label="Sort Number" name="sortNumber"><value>  1987    19    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Many of her paintings depict scenes of life around the plantation, the cotton industry of the plantation and scenes connected with the religious life of her community.  A building known as the African House, standing on the plantation, now houses the paintings of Clementine Hunter as well her murals of plantation life executed in the 1950's.  These murals include a "Saturday Night" segment.  This was one of Hunter's repeated themes, often called "Saturday Night at the Honky Tonk."  The building depicted in the paintings actually exists on the banks of the Cane River, across from her house.  The building, known as "Bubba's" has since burned.</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>