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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Handsewn Doll</value></field><field label="Date" name="displayDate"><value>c. 1980</value></field><field label="Dimensions" name="dimensions"><value>25 x 20 x 6 1/2 "</value></field><field label="Medium" name="medium"><value>Ink and crayon on fabric body, with velvet shirt, short petticoat, and wig; paint on child-size wood chair</value></field><field label="Credit Line" name="creditline"><value>Gift of Judith Alexander</value></field><field label="Accession number" name="invno"><value>2001.6.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>154218</value></field><field label="Source ID" name="sourceId"><value>2946</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Tuesday, January 17, 2012 - Sunday, September 2, 2012" exhibitionEndISODate="2012-09-02" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-01-17" exhibitionBeginDate="2012" exhibitionTitle="JUBILATION an act of rejoicing | RUMINATION an act of contemplation" exhibitionID="149"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"><value>2001.6.1A,B</value></field><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="879">Nellie Mae Rowe</value></field><field label="Classification(s)" name="classifications"><value>Toys and Games</value><value>Sculpture</value></field><field label="Copyright" name="copyright"><value>© Estate of Nellie Mae Rowe / Artists Rights Society (ARS), New York</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Vinings</value></field><field name="geographyCity"><value>Vinings</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Georgia</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Vinings</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Nellie Mae Rowe was a Vinings, Georgia, artist who is renowned today for drawings and sculpture that reveal a joy in life and all its magic. Rowe’s imagery is largely derived from the natural world, but it is also deeply rooted in vernacular culture and often includes folk figures such as “haints.” In addition to her drawings (usually in jewel-tone crayon) and sculpture (using unorthodox materials such as chewing gun), she fashioned dolls to populate the elaborate interior and exterior environment she called her “playhouse.” She fashioned approximately two dozen dolls from clothing remnants and T-shirts, and embellished them using wigs, costume jewelry, and Magic Markers. After her second husband, Henry Rowe, died following a long illness, the dolls served as companions and helped dispel the loneliness she experienced. Many of Rowe’s drawings, dolls, collages, and altered photographs are autobiographical, especially those executed in the last years of her life. The works that she created throughout 1982 seem to hint at her impending death; for years she had known that she had cancer. As revealed through her artworks, Rowe’s mood at the end of her life evolved from puzzlement and worry to acceptance and even joy at the prospect of entering a wonderful “promised land.”
 </value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"><value>2001.6.1A,B</value></field><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2850/full" mediaId="2850"/></field><field label="Begin Date" name="beginDate"><value>1975</value></field><field label="End Date" name="endDate"><value>1985</value></field><field label="Sort Number" name="sortNumber"><value>  2001     6    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Nellie Mae Rowe was a Vinings, Georgia, artist who is renowned today for drawings and sculpture that reveal a joy in life and all its magic. Rowe’s imagery is largely derived from the natural world, but it is also deeply rooted in vernacular culture and often includes folk figures such as “haints.” In addition to her drawings (usually in jewel-tone crayon) and sculpture (using unorthodox materials such as chewing gun), she fashioned dolls to populate the elaborate interior and exterior environment she called her “playhouse.” She fashioned approximately two dozen dolls from clothing remnants and T-shirts, and embellished them using wigs, costume jewelry, and Magic Markers. After her second husband, Henry Rowe, died following a long illness, the dolls served as companions and helped dispel the loneliness she experienced. Many of Rowe’s drawings, dolls, collages, and altered photographs are autobiographical, especially those executed in the last years of her life. The works that she created throughout 1982 seem to hint at her impending death; for years she had known that she had cancer. As revealed through her artworks, Rowe’s mood at the end of her life evolved from puzzlement and worry to acceptance and even joy at the prospect of entering a wonderful “promised land.”
 </value></field></object>