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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Theorem Painting: Girl with Doves</value></field><field label="Date" name="displayDate"><value>1830–1840</value></field><field label="Dimensions" name="dimensions"><value>25 × 19 × 1 1/4" (framed)</value></field><field label="Medium" name="medium"><value>Watercolor and ink on velvet</value></field><field label="Credit Line" name="creditline"><value>Gift of Jerry Grossman in memory of Shelley Clayman Grossman</value></field><field label="Accession number" name="invno"><value>2001.4.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>154209</value></field><field label="Source ID" name="sourceId"><value>2931</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Tuesday, January 17, 2012 - Sunday, September 2, 2012" exhibitionEndISODate="2012-09-02" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-01-17" exhibitionBeginDate="2012" exhibitionTitle="JUBILATION an act of rejoicing | RUMINATION an act of contemplation" exhibitionID="149"/><value exhibitionDisplayDate="1993–2001" exhibitionEndISODate="2001-10" exhibitionEndDate="2001" exhibitionISOBeginDate="1993-10-05" exhibitionBeginDate="1993" exhibitionTitle="America's Heritage" exhibitionID="64"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Label Text" name="labelText"><value>
</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Nineteenth-century paintings on velvet usually took the form of theorems, still lifes executed with the aid of hollow-cut stencils. This unusual depiction, however, is drawn freehand and seems more closely related to classical Greek funerary imagery that was introduced into the decorative arts after the mid-eighteenth century, following the rediscovery of the ancient sites of Pompeii and Herculaneum. A grave relief dating to about 450 b.c. in the collection of the Metropolitan Museum of Art, New York, bears an image of a young girl holding two doves close to her chest. In art, and especially in portraits of children, birds often made an appearance, sometimes tethered to a child’s arm or hand. Symbolizing the soul, a bird might also indicate the child was deceased if the tether was cut.

Stacy C. Hollander, "Girl with Doves," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>portrait</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/4580/full" mediaId="4580"/></field><field label="Begin Date" name="beginDate"><value>1830</value></field><field label="End Date" name="endDate"><value>1840</value></field><field label="Sort Number" name="sortNumber"><value>  2001     4    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Nineteenth-century paintings on velvet usually took the form of theorems, still lifes executed with the aid of hollow-cut stencils. This unusual depiction, however, is drawn freehand and seems more closely related to classical Greek funerary imagery that was introduced into the decorative arts after the mid-eighteenth century, following the rediscovery of the ancient sites of Pompeii and Herculaneum. A grave relief dating to about 450 b.c. in the collection of the Metropolitan Museum of Art, New York, bears an image of a young girl holding two doves close to her chest. In art, and especially in portraits of children, birds often made an appearance, sometimes tethered to a child’s arm or hand. Symbolizing the soul, a bird might also indicate the child was deceased if the tether was cut.

Stacy C. Hollander, "Girl with Doves," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>portrait</value></field></object>