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Georgia Blizzard, (1919–2002), “Mourning Urn,” Glade Springs, Virginia, 1998, Fired clay, 9 × 1…
Mourning Urn
Georgia Blizzard, (1919–2002), “Mourning Urn,” Glade Springs, Virginia, 1998, Fired clay, 9 × 1…
Georgia Blizzard, (1919–2002), “Mourning Urn,” Glade Springs, Virginia, 1998, Fired clay, 9 × 10 × 6 in., Collection American Folk Art Museum, New York, Gift of Judith Alexander, 2000.11.1. Photo by Gavin Ashworth.
Record Details

Mourning Urn

Artist ((1919–2002))
Date1998
Place/RegionGlade Springs, Virginia, United States
MediumFired clay
Dimensions9 × 10 × 6"
Credit LineGift of Judith Alexander
Accession number2000.11.1
CopyrightCopyright for this work is under review.
Description

Georgia Blizzard was a sculptor in clay who came from an American family with roots in three diverse cultures: Apache, Irish, and Appalachian. When Blizzard was a child she was taught Native American firing techniques by her father. She made clay toys with one of her older sisters, Lucy May, and baked them in the sun. As young women, the two sisters made imitation Indian relics—pots and pipes and the like—and sold them to unsuspecting tourists as authentic objects. Returning to ceramics later in life, Blizzard created a wide array of non-functional sculptural vessels—even if created in the form of a vase or a pitcher.

Blizzard is a published poet—interestingly, some of the artist's most devoted collectors are poets—and on the bottom of Mourning Urn is her poem articulating the story of death incised in the clay:

On yonder distant

knoll

Daisies bow to the

breeze.

Evening sun is setting

The Lonesome Dove

coo

Shadows pull down the

curtains of time

Perhaps it

Or maybe its mine.

Ravin call.

Then Twilight Takes over,

Its, all, Its all."

Brooke Davis Anderson, "Mourning Urn," exhibition label for Folk Art Revealed. Stacy C. Hollander and Brooke Davis Anderson, curators. New York: American Folk Art Museum, 2004.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. 

To help improve this record, please email photoservices@folkartmuseum.org


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