<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>At 5 Norma Catherine. but are retaken. (double-sided)</value></field><field label="Date" name="displayDate"><value>1970</value></field><field label="Dimensions" name="dimensions"><value>23 × 36 3/4"</value></field><field label="Medium" name="medium"><value>Watercolor, pencil, carbon tracing, and collage on pieced paper</value></field><field label="Credit Line" name="creditline"><value>Gift of Sam and Betsey Farber
© Kiyoko Lerner</value></field><field label="Accession number" name="invno"><value>2003.8.1A</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>154088</value></field><field label="Source ID" name="sourceId"><value>2725</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, July 11, 2002 - Sunday, January 5, 2003" exhibitionEndISODate="2003-01-26" exhibitionEndDate="2003" exhibitionISOBeginDate="2002-07-11" exhibitionBeginDate="2002" exhibitionTitle="American Anthem" exhibitionID="73"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"><value>2003.8.1</value><value>P10.2000.001A,B</value></field><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="492">Henry Darger</value></field><field label="Classification(s)" name="classifications"><value>Drawings</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Chicago</value></field><field name="geographyCity"><value>Chicago</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Illinois</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Works on Paper</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Chicago</value></field><field label="Object Names" name="names"/><field label="Published References" name="pubreferences"><value>Darger: The Henry Darger Collection at the American Folk Art Museum
Brooke Davis Anderson
with essay by Michael Thévoz
illustrated pages 28-29</value></field><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Gift to to the new building Plate 2A, B in book</value><value>Henry Darger’s artistic achievement is largely literary in conception. The masterful 15,000-page epic, The Story of the Vivian Girls, in What Is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, was started when Darger was nineteen years old and finished many years later. Darger created an astonishing body of artwork to illustrate this manuscript: it is these fantastic single-sheet and panoramic multi-sheet watercolors, executed in lyrical hues, for which he is best known. These were originally bound into three volumes, and, as illustrations to a narrative, the imagery reflects themes of conflict, abuse of power, magic, redemption, and triumph that are contained in the story. In addition to In the Realms of the Unreal, Darger’s texts include its sequel, Further Adventures in Chicago: Crazy House; a six-volume weather journal; and an autobiography, all now in the museum’s holdings. The full breadth of Darger’s work was only discovered after his death by his Chicago landlord, artist and industrial designer Nathan Lerner.

Stacy C. Hollander, "At 5 Norma Catherine. but are retaken.," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>PAINTING</value><value>watercolor</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"><value>2003.8.1</value><value>P10.2000.001A,B</value></field><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3288/full" mediaId="3288"/></field><field label="Begin Date" name="beginDate"><value>1970</value></field><field label="End Date" name="endDate"><value>1970</value></field><field label="Sort Number" name="sortNumber"><value>  2003     8    1A                                                              </value></field><field name="textEntriesWebsitedisplaytext"><value>Gift to to the new building Plate 2A, B in book</value><value>Henry Darger’s artistic achievement is largely literary in conception. The masterful 15,000-page epic, The Story of the Vivian Girls, in What Is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, was started when Darger was nineteen years old and finished many years later. Darger created an astonishing body of artwork to illustrate this manuscript: it is these fantastic single-sheet and panoramic multi-sheet watercolors, executed in lyrical hues, for which he is best known. These were originally bound into three volumes, and, as illustrations to a narrative, the imagery reflects themes of conflict, abuse of power, magic, redemption, and triumph that are contained in the story. In addition to In the Realms of the Unreal, Darger’s texts include its sequel, Further Adventures in Chicago: Crazy House; a six-volume weather journal; and an autobiography, all now in the museum’s holdings. The full breadth of Darger’s work was only discovered after his death by his Chicago landlord, artist and industrial designer Nathan Lerner.

Stacy C. Hollander, "At 5 Norma Catherine. but are retaken.," exhibition label for Jubilation|Rumination: Life, Real and Imagined. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2012.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>PAINTING</value><value>watercolor</value></field></object>