Archangel Gabriel Inn Sign1810–183524 × 46 1/2 × 18"Paint on woodGift of Alice M. Kaplan, museum trustee (1977–1989)2001.3.101540162623P13.2000.01Artist unidentifiedArchitectureThe American Folk Art Museum believes this work to be in the public domain. http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster1545008http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster28734Guilford CenterGuilford CenterUnited StatesNew YorkThree Dimensional WorksGuilford CenterTrade SignEarly American visual culture is steeped in representations of millennial ideas, and it was not uncommon for a figure of Gabriel—in Christian tradition the herald of the Second Coming—to appear as a weathervane on the steeples of churches.The iconography of the prophetic Gabriel is often related to the mythological figure of Fame, a being of indeterminate gender who also blows a trumpet.
The Archangel Gabriel appeared in secular settings, as well. For more than a century, this gentle carving welcomed visitors to the Angel Inn in Guilford Center. Located on a busy stagecoach route, the original frame structure was built by Thomas Abbey around 1806. At various times it also served as a restaurant, a general store, a blacksmith shop, and even a bordello. It is not known exactly when this Archangel Gabriel was carved, but in 1830 the front of the inn was altered under the ownership of Dauphin Murray, at which time the sign was placed under a high pediment that newly crowned the entranceway.
Stacy C. Hollander, “Archangel Gabriel Inn Sign,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014. Sculpture and Three Dimensional ObjectsEarly American visual culture is steeped in representations of millennial ideas, and it was not uncommon for a figure of Gabriel—in Christian tradition the herald of the Second Coming—to appear as a weathervane on the steeples of churches. The iconography of the prophetic Gabriel is often related to the mythological figure of Fame, a being of indeterminate gender who also blows a trumpet.
The Archangel Gabriel appeared in secular settings, as well. For more than a century, this gentle carving welcomed visitors to the Angel Inn in Guilford Center. Located on a busy stagecoach route, the original frame structure was built by Thomas Abbey around 1806. At various times it also served as a restaurant, a general store, a blacksmith shop, and even a bordello. It is not known exactly when this Archangel Gabriel was carved, but in 1830 the front of the inn was altered under the ownership of Dauphin Murray, at which time the sign was placed under a high pediment that newly crowned the entranceway.
Stacy C. Hollander, “Archangel Gabriel Inn Sign,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.
To help improve this record, please email photoservices@folkartmuseum.orghttp://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster1545008http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster28734http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster1545008http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster28734http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster1545008http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster28734P13.2000.0118101835 2001 3 1 Trade SignEarly American visual culture is steeped in representations of millennial ideas, and it was not uncommon for a figure of Gabriel—in Christian tradition the herald of the Second Coming—to appear as a weathervane on the steeples of churches.The iconography of the prophetic Gabriel is often related to the mythological figure of Fame, a being of indeterminate gender who also blows a trumpet.
The Archangel Gabriel appeared in secular settings, as well. For more than a century, this gentle carving welcomed visitors to the Angel Inn in Guilford Center. Located on a busy stagecoach route, the original frame structure was built by Thomas Abbey around 1806. At various times it also served as a restaurant, a general store, a blacksmith shop, and even a bordello. It is not known exactly when this Archangel Gabriel was carved, but in 1830 the front of the inn was altered under the ownership of Dauphin Murray, at which time the sign was placed under a high pediment that newly crowned the entranceway.
Stacy C. Hollander, “Archangel Gabriel Inn Sign,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014. Sculpture and Three Dimensional ObjectsEarly American visual culture is steeped in representations of millennial ideas, and it was not uncommon for a figure of Gabriel—in Christian tradition the herald of the Second Coming—to appear as a weathervane on the steeples of churches. The iconography of the prophetic Gabriel is often related to the mythological figure of Fame, a being of indeterminate gender who also blows a trumpet.
The Archangel Gabriel appeared in secular settings, as well. For more than a century, this gentle carving welcomed visitors to the Angel Inn in Guilford Center. Located on a busy stagecoach route, the original frame structure was built by Thomas Abbey around 1806. At various times it also served as a restaurant, a general store, a blacksmith shop, and even a bordello. It is not known exactly when this Archangel Gabriel was carved, but in 1830 the front of the inn was altered under the ownership of Dauphin Murray, at which time the sign was placed under a high pediment that newly crowned the entranceway.
Stacy C. Hollander, “Archangel Gabriel Inn Sign,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.
To help improve this record, please email photoservices@folkartmuseum.org