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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Table</value></field><field label="Date" name="displayDate"><value>20th Century</value></field><field label="Dimensions" name="dimensions"><value>29 × 35 1/2 × 29"</value></field><field label="Medium" name="medium"><value>Paint on wood, mixed media, and glass top</value></field><field label="Credit Line" name="creditline"><value>Gift of Peter Socolof</value></field><field label="Accession number" name="invno"><value>1987.10.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Mixed media includes wood, glass, foil, copper foil, steel, composite material, shells and fabric flowers</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152372</value></field><field label="Source ID" name="sourceId"><value>242</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="1077">Simon Rodia</value></field><field label="Classification(s)" name="classifications"><value>Furniture/Furnishings</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20167</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>California</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>There has been much written about the work of Simon Rodia, notably the towers that he constructed in Watts section of Los Angeles. Watts Towers were the result of a determinedly single-mined venture and have been show to be closely inspired by and related to the "giglio" tradition of southern Italy. The only other objects that are definitly identified as by Rodia are some planters that were made for his sister and almost all of those still existing belong to the family still. One planter is owned by the city of Los Angeles. Rosen has also heard of a birthbath and fireplace embellished by Rodia, but has never seen them. Ceramic and found object covered pieces sometimes appear, but, according to Rosen, do not exhibit the same care that was lavished on the towers and are difficult to definitely ascribe to Rodia. ( see letter from seymom Rosen)</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20167</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20167</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20167</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/21422/full" mediaId="21422"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/21423/full" mediaId="21423"/></field><field label="Begin Date" name="beginDate"><value>1900</value></field><field label="End Date" name="endDate"><value>1965</value></field><field label="Sort Number" name="sortNumber"><value>  1987    10    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>There has been much written about the work of Simon Rodia, notably the towers that he constructed in Watts section of Los Angeles. Watts Towers were the result of a determinedly single-mined venture and have been show to be closely inspired by and related to the "giglio" tradition of southern Italy. The only other objects that are definitly identified as by Rodia are some planters that were made for his sister and almost all of those still existing belong to the family still. One planter is owned by the city of Los Angeles. Rosen has also heard of a birthbath and fireplace embellished by Rodia, but has never seen them. Ceramic and found object covered pieces sometimes appear, but, according to Rosen, do not exhibit the same care that was lavished on the towers and are difficult to definitely ascribe to Rodia. ( see letter from seymom Rosen)</value></field></object>