<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Pot of Flowers Hooked Rug</value></field><field label="Date" name="displayDate"><value>1885–1900</value></field><field label="Dimensions" name="dimensions"><value>41 1/2 × 37 1/2"</value></field><field label="Medium" name="medium"><value>Wool on burlap</value></field><field label="Credit Line" name="creditline"><value>Gift of a Museum friend</value></field><field label="Accession number" name="invno"><value>2001.33.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153849</value></field><field label="Source ID" name="sourceId"><value>2418</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, September 18, 1974 - Sunday, March 30, 1975" exhibitionEndISODate="1975-03-30" exhibitionEndDate="1975" exhibitionISOBeginDate="1974-09-18" exhibitionBeginDate="1974" exhibitionTitle="American Hooked and Sewn Rugs" exhibitionID="118"/><value exhibitionDisplayDate="Saturday, September 2, 2000 - Sunday, January 7, 2001" exhibitionEndISODate="2001-01-07" exhibitionEndDate="2001" exhibitionISOBeginDate="2000-09-02" exhibitionBeginDate="2000" exhibitionTitle="An Engagement with Folk Art" exhibitionID="121"/><value exhibitionDisplayDate="Friday, March 17, 2023 - Sunday, October 29, 2023" exhibitionEndISODate="2023-10-29" exhibitionEndDate="2023" exhibitionISOBeginDate="2023-03-17" exhibitionBeginDate="2023" exhibitionTitle="Material Witness" exhibitionID="249"/><value exhibitionDisplayDate="Thursday, July 11, 2002 - Sunday, January 5, 2003" exhibitionEndISODate="2003-01-26" exhibitionEndDate="2003" exhibitionISOBeginDate="2002-07-11" exhibitionBeginDate="2002" exhibitionTitle="American Anthem" exhibitionID="73"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"><value>P1.1998.001</value></field><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Textiles</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Rug hooking is one of the few forms of needlework that is believed to have originated in America. The tradition may have started on the northeastern coast and then spread to other rural areas, including Pennsylvania, the Midwest, and Canada. While early hooked rugs used a ground of cotton or linen, the craft became especially popular when heavy hemp burlap, an ideal base for hooking, became widely available in the middle of the nineteenth century. The rug maker applied thin strips of woven fabric, usually wool, to the ground fabric by means of a hooked tool. The pile could be left in loops or sheared.

In the second half of the nineteenth century, rug patterns and pre-marked burlap grounds for rugs became readily available, but a strong tradition of homemade patterns continued well into the twentieth century. Rug makers often individualized commercial patterns by changing the suggested designs and supplying their own color choices. This Pot of Flowers Hooked Rug was probably a homemade design, although it may have been adapted from a commercially printed source. 

Elizabeth V. Warren, "Pot of Flowers Hooked Rug," in Stacy C. Hollander, American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 359.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>TEXTILE</value><value>rug</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"><value>P1.1998.001</value></field><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3886/full" mediaId="3886"/></field><field label="Begin Date" name="beginDate"><value>1885</value></field><field label="End Date" name="endDate"><value>1900</value></field><field label="Sort Number" name="sortNumber"><value>  2001    33    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Rug hooking is one of the few forms of needlework that is believed to have originated in America. The tradition may have started on the northeastern coast and then spread to other rural areas, including Pennsylvania, the Midwest, and Canada. While early hooked rugs used a ground of cotton or linen, the craft became especially popular when heavy hemp burlap, an ideal base for hooking, became widely available in the middle of the nineteenth century. The rug maker applied thin strips of woven fabric, usually wool, to the ground fabric by means of a hooked tool. The pile could be left in loops or sheared.

In the second half of the nineteenth century, rug patterns and pre-marked burlap grounds for rugs became readily available, but a strong tradition of homemade patterns continued well into the twentieth century. Rug makers often individualized commercial patterns by changing the suggested designs and supplying their own color choices. This Pot of Flowers Hooked Rug was probably a homemade design, although it may have been adapted from a commercially printed source. 

Elizabeth V. Warren, "Pot of Flowers Hooked Rug," in Stacy C. Hollander, American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 359.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>TEXTILE</value><value>rug</value></field></object>