Skip to main content
Cenotaph to Three Martyred Presidents
Artist unidentified
Photo by David Stansbury
Cenotaph to Three Martyred Presidents
Cenotaph to Three Martyred Presidents
Artist unidentified
Photo by David Stansbury
Cenotaph to Three Martyred Presidents Artist unidentified Photo by David Stansbury
Record Details

Cenotaph to Three Martyred Presidents

Date1925–1940
Place/RegionUnited States
MediumWood with photographic images on paper
Dimensions38 × 31 3/4 × 1 3/4"
Credit LineGift of the Hirschhorn Foundation
Accession number1997.6.5
Description

This plaque commemorates the assassinations of presidents Abraham Lincoln, James A. Garfield, and William McKinley. Made using a combination of techniques, including parquetry and inlay, it frames photographic images of the three martyred presidents. Closely packed columns of block letters are inlaid below the images of the presidents and spell out their dates of birth, the dates they were shot, and the dates they died. Two opposing American flags crown the plaque. A tremendous outpouring of grief ensued after the deaths of each of these leaders, and it is likely that this tribute was made to mark a landmark anniversary of one of the assassinations, which occurred in 1865, 1888, and 1901, respectively.

McKinley was shot while visiting the Pan-American Exposition in Buffalo. His tour of the exposition had been filmed using Thomas Edison’s early process to produce moving images. After McKinley’s death, Edison created a mourning film entitled The Martyred Presidents, which showed photographic images of Lincoln, Garfield, and McKinley fading in and out of a tomblike structure. Although it would seem likely that the cenotaph was made soon after 1901, the angularity of the form and the rayed effects relate most strongly to decorative arts made during the Art Deco period, suggesting it was made after 1925.

Stacy C. Hollander, "Cenotaph to Three Martyred Presidents," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 371—372.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. 

To help improve this record, please email photoservices@folkartmuseum.org


Richard Saholt, (1924–2014), “The Chemistry of Madness,” Minneapolis, Minnesota, Late 20th Cent…
Richard Saholt
Late 20th century to early 21st century
2016.1.1
Mario del Curto, “Eijiro Miyama on a Rooftop in Yokohama”, Yokohama, Japan, 2009, Color photogr…
Mario Del Curto
2009
2015.6.1
Hector Pascual Gallo Portieles, b. 1924, “Decorated Bottle,” Havana, Cuba, c. 2013, Bottle, wat…
Hector Pascual Gallo Portieles
c. 2013
2015.5.2
Artist unidentified, “Spray of flowers”, Portland, Maine, c. 1920, Watercolor and ink on paper;…
Artist unidentified
c. 1920
58.13.188
Independent Order of Odd Fellows Bury the Dead Sign
Artist unidentified
Photo by José Andrés …
Artist unidentified
1850–1900
2015.1.100
Independent Order of Odd Fellows Bow for First Degree
Artist unidentified
Photo by José André…
Artist unidentified
1860–1900
2015.1.108
Artist unidentified, “Busk,”  United States, c. 1825–1840, Paint and bronze-powder stenciling o…
Artist unidentified
1825–1840
58.13.106
Artist unidentified, “Box”, Pennsylvania, c. 1800, Paint on wood, 2 7/8 × 9 3/4 × 8 5/8 in., Co…
Artist unidentified
c. 1800
58.13.77
Artist unidentified, “Wall Box”, Pennsylvania, 1792, Paint on wood, 4 7/8 × 16 3/8 × 4 5/8 in.,…
Artist unidentified
1792
58.13.78
Artist unidentified, “Cornice Board,” Possibly Long Island, New York, c. 1815–1840, Paint and b…
Artist unidentified
1815–1840
58.26.1
Artist unidentified, “Cornice Board,” Hudson Valley, New York, c. 1825, Bronze-powder stencilin…
Artist unidentified
c. 1825
75.2