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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Horse Pull Toy</value></field><field label="Date" name="displayDate"><value>Mid- to late 19th century</value></field><field label="Dimensions" name="dimensions"><value>15 × 13 1/2 × 5 1/2"</value></field><field label="Medium" name="medium"><value>Paint on wood with leather ears (replaced)</value></field><field label="Credit Line" name="creditline"><value>Gift of Cordelia Hamilton in honor of Ralph Esmerian</value></field><field label="Accession number" name="invno"><value>1995.2.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153704</value></field><field label="Source ID" name="sourceId"><value>2199</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, July 11, 2002 - Sunday, January 5, 2003" exhibitionEndISODate="2003-01-26" exhibitionEndDate="2003" exhibitionISOBeginDate="2002-07-11" exhibitionBeginDate="2002" exhibitionTitle="American Anthem" exhibitionID="73"/><value exhibitionDisplayDate="Tuesday, January 16, 1996 - Sunday, February 25, 1996" exhibitionEndISODate="1996-02-25" exhibitionEndDate="1996" exhibitionISOBeginDate="1996-01-16" exhibitionBeginDate="1996" exhibitionTitle="Expressions of Trust" exhibitionID="78"/><value exhibitionDisplayDate="Friday, October 5, 1962 - Sunday, November 18, 1962" exhibitionEndISODate="1962-11-18" exhibitionEndDate="1962" exhibitionISOBeginDate="1962-10-05" exhibitionBeginDate="1962" exhibitionTitle="Initial Loan Exhibition" exhibitionID="13"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Toys and Games</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Carlisle</value></field><field name="geographyCity"><value>Carlisle</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Pennsylvania</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Carlisle</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>SCULPTURE</value><value>A revolution in American attitudes toward children erupted in the years following the War of Independence. Influenced by the philosophies of the Enlightenment, there was a growing recognition of childhood as a separate stage of development with its own needs—both psychological and material. Clothing designed specifically for children to play in and an increasing number of toys and educational playthings were among the manifestations of the new culture of the child. These toys not only entertained, however, but prepared their young users for the roles they were to assume later in life. Horses, soldiers, hoops, and whips were appropriate for boys, while dolls, doll furniture, and other domestic props were clearly intended to guide young girls toward motherhood and keeping house. Some toys, such as games bound parents and children together and reinforced the nuclear family constellation that had emerged 
during this period. 

Stacy C. Hollander, "Horse Pull Toy," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 339.</value><value>Toy</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2551/full" mediaId="2551"/></field><field label="Begin Date" name="beginDate"><value>1850</value></field><field label="End Date" name="endDate"><value>1899</value></field><field label="Sort Number" name="sortNumber"><value>  1995     2    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>SCULPTURE</value><value>A revolution in American attitudes toward children erupted in the years following the War of Independence. Influenced by the philosophies of the Enlightenment, there was a growing recognition of childhood as a separate stage of development with its own needs—both psychological and material. Clothing designed specifically for children to play in and an increasing number of toys and educational playthings were among the manifestations of the new culture of the child. These toys not only entertained, however, but prepared their young users for the roles they were to assume later in life. Horses, soldiers, hoops, and whips were appropriate for boys, while dolls, doll furniture, and other domestic props were clearly intended to guide young girls toward motherhood and keeping house. Some toys, such as games bound parents and children together and reinforced the nuclear family constellation that had emerged 
during this period. 

Stacy C. Hollander, "Horse Pull Toy," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 339.</value><value>Toy</value></field></object>