<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Concentric Circles Candlewick Spread</value></field><field label="Date" name="displayDate"><value>1830–1840</value></field><field label="Dimensions" name="dimensions"><value>89 1/2 × 86 1/4"</value></field><field label="Medium" name="medium"><value>Cotton with clipped cotton roving embroidery</value></field><field label="Credit Line" name="creditline"><value>Gift of Jay Johnson</value></field><field label="Accession number" name="invno"><value>1991.6.2</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Center medallion: seven concentric circles in center and four leafed loops each containing an additional seven concentric circles, four concentric cirles surround loops, six more in each corner.  Diamond motif in border on three sides, size varies per side, one border plain.  Top edge whipstitched to self.  White sheeting hand-pieced.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152354</value></field><field label="Source ID" name="sourceId"><value>210</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Saturday, April 18, 1981 - Sunday, August 23, 1981" exhibitionEndISODate="1981-08-23" exhibitionEndDate="1981" exhibitionISOBeginDate="1981-04-19" exhibitionBeginDate="1981" exhibitionTitle="Anonymous Beauty: Quilts, Coverlets and Bed Covers" exhibitionID="270"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Maine</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Textiles</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>The rationality of linear and geometric designs was intrinsic to the neoclassic taste. Lattice or trellis patterns began appearing in quilted textiles by the early nineteenth century. The narrow lattice border that appears on four sides of the Susan Tibbets Candlewick Spread is enlarged on three sides of this graphic candlewick bedcover. The diamond grid encloses a gardenlike dispersion of kaleidoscopic, circular motifs that are executed entirely in tufting.

Stacy C. Hollander, "Concentric Circles Candlewick Spread," exhibition label for White on White (and a little gray). Stacy C. Hollander, curator. New York: American Folk Art Museum, 2006.</value><value>whole cloth</value><value>TEXTILE</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2169/full" mediaId="2169"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2785/full" mediaId="2785"/></field><field label="Begin Date" name="beginDate"><value>1830</value></field><field label="End Date" name="endDate"><value>1840</value></field><field label="Sort Number" name="sortNumber"><value>  1991     6    2                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>The rationality of linear and geometric designs was intrinsic to the neoclassic taste. Lattice or trellis patterns began appearing in quilted textiles by the early nineteenth century. The narrow lattice border that appears on four sides of the Susan Tibbets Candlewick Spread is enlarged on three sides of this graphic candlewick bedcover. The diamond grid encloses a gardenlike dispersion of kaleidoscopic, circular motifs that are executed entirely in tufting.

Stacy C. Hollander, "Concentric Circles Candlewick Spread," exhibition label for White on White (and a little gray). Stacy C. Hollander, curator. New York: American Folk Art Museum, 2006.</value><value>whole cloth</value><value>TEXTILE</value></field></object>