<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Tree of Life Cut-out Chintz Quilt</value></field><field label="Date" name="displayDate"><value>1925–1935</value></field><field label="Dimensions" name="dimensions"><value>96 x 90 " (243.8 x 228.6 cm)</value></field><field label="Medium" name="medium"><value>Cotton</value></field><field label="Credit Line" name="creditline"><value>Gift of Cyril Irwin Nelson in honor of Elizabeth V. Warren and Sharon L. Eisenstat</value></field><field label="Accession number" name="invno"><value>2001.33.2</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>Applied handsewn binding; echo outline quilting in border, parallel diagonal line in field. appliqué. fabrics from both 1830s and 1920s. </value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153599</value></field><field label="Source ID" name="sourceId"><value>2074</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Saturday, September 2, 2000 - Sunday, January 7, 2001" exhibitionEndISODate="2001-01-07" exhibitionEndDate="2001" exhibitionISOBeginDate="2000-09-02" exhibitionBeginDate="2000" exhibitionTitle="An Engagement with Folk Art" exhibitionID="121"/><value exhibitionDisplayDate="Saturday, July 12, 1997 - Sunday, September 28, 1997" exhibitionEndISODate="1997-09-28" exhibitionEndDate="1997" exhibitionISOBeginDate="1997-07-12" exhibitionBeginDate="1997" exhibitionTitle="Old-Time Favorites, New-Time Fashions" exhibitionID="286"/><value exhibitionDisplayDate="Friday, September 26, 2025 - Sunday, March 1, 2026" exhibitionEndISODate="2026-03-01" exhibitionEndDate="2026" exhibitionISOBeginDate="2025-09-26" exhibitionBeginDate="2025" exhibitionTitle="An Ecology of Quilts" exhibitionID="438"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"><value>P1.1992.004</value></field><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Inscribed" name="inscribed"><value>initialed 'GMR'</value></field><field label="Signed" name="signed"><value></value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Wiscasset</value></field><field name="geographyCity"><value>Wiscasset</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Maine</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Textiles</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Wiscasset</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>TEXTILE</value><value>Both the flowering tree design and the cut-out chintz method of appliqué seen on this bedcover were originally popular for quilts made in late eighteenth- and early nineteenth-century America. The maker of this example may have been inspired by antique fabrics to re-create the earlier style, as some of the motifs in the center were cut from chintz that was printed in the first half of the nineteenth century. Other fabrics used in the center field date from the early twentieth century. Professional quiltmakers of the period advertised in women’s periodicals that they would sew new quilts using antique fabrics provided by the customer.

Stacy C. Hollander, "Tree of Life Cut-out Chintz Quilt," exhibition label for QUILTS: Masterworks from the American Folk Art Museum. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2010.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>revival</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"><value>P1.1992.004</value></field><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/4836/full" mediaId="4836"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2848/full" mediaId="2848"/></field><field label="Begin Date" name="beginDate"><value>1925</value></field><field label="End Date" name="endDate"><value>1935</value></field><field label="Sort Number" name="sortNumber"><value>  2001    33    2                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>TEXTILE</value><value>Both the flowering tree design and the cut-out chintz method of appliqué seen on this bedcover were originally popular for quilts made in late eighteenth- and early nineteenth-century America. The maker of this example may have been inspired by antique fabrics to re-create the earlier style, as some of the motifs in the center were cut from chintz that was printed in the first half of the nineteenth century. Other fabrics used in the center field date from the early twentieth century. Professional quiltmakers of the period advertised in women’s periodicals that they would sew new quilts using antique fabrics provided by the customer.

Stacy C. Hollander, "Tree of Life Cut-out Chintz Quilt," exhibition label for QUILTS: Masterworks from the American Folk Art Museum. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2010.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>revival</value></field></object>