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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Pitcher</value></field><field label="Date" name="displayDate"><value>1880–1910</value></field><field label="Dimensions" name="dimensions"><value>8 7/8 × 8 1/4 × 5 7/8"</value></field><field label="Medium" name="medium"><value>Stoneware body with cobalt sponging</value></field><field label="Credit Line" name="creditline"><value>Museum of American Folk Art Purchase</value></field><field label="Accession number" name="invno"><value>1981.12.33</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Tall cylindrical pitcher that tapers slightly from base. Smooth rim to spout, ear-shaped handle. White glazed stoneware body with sponged cobalt decoration.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152349</value></field><field label="Source ID" name="sourceId"><value>203</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, February 24, 1982 - Sunday, September 19, 1982" exhibitionEndISODate="1982-09-19" exhibitionEndDate="1982" exhibitionISOBeginDate="1982-02-24" exhibitionBeginDate="1982" exhibitionTitle="Folk Art Masterpieces" exhibitionID="14"/><value exhibitionDisplayDate="1983-1988" exhibitionEndISODate="1988" exhibitionEndDate="1988" exhibitionISOBeginDate="1983" exhibitionBeginDate="1983" exhibitionTitle="American Folk Art: Expressions of a New Spirit" exhibitionID="292"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Containers</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24570</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/><value/></field><field name="geographyCity"><value/><value/></field><field name="geographyCountry"><value>United States</value><value>United States</value></field><field name="geographyState"><value>Ohio</value><value>New Jersey</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>spongeware</value><value>POTTERY</value><value>The majority of sponge decorated ware is unsigned. As sponging could be done on any clay body, producers tended to identify the type of ware rather than the type od decoration. The history of its manufacture seems to parallel that of yellowware production, the major potteries being located in New Jersey, the Middle West, and Ohio. Pitchers are perhaps the most popular of all forms in this medium and the blue sponged pitcher has virtually become the hallmark of the entire field. Tall pitchers with straight or tapering sides were referred to as water pitchers. In pitchersm the spout forms part of the rim. Wheel thrown pitchers have simple spouts shaped by hand when the clay is wet.</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24570</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24570</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24570</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1277/full" mediaId="1277"/></field><field label="Begin Date" name="beginDate"><value>1880</value></field><field label="End Date" name="endDate"><value>1910</value></field><field label="Sort Number" name="sortNumber"><value>  1981    12   33                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>spongeware</value><value>POTTERY</value><value>The majority of sponge decorated ware is unsigned. As sponging could be done on any clay body, producers tended to identify the type of ware rather than the type od decoration. The history of its manufacture seems to parallel that of yellowware production, the major potteries being located in New Jersey, the Middle West, and Ohio. Pitchers are perhaps the most popular of all forms in this medium and the blue sponged pitcher has virtually become the hallmark of the entire field. Tall pitchers with straight or tapering sides were referred to as water pitchers. In pitchersm the spout forms part of the rim. Wheel thrown pitchers have simple spouts shaped by hand when the clay is wet.</value></field></object>