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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Sandpiper</value></field><field label="Date" name="displayDate"><value>1890</value></field><field label="Dimensions" name="dimensions"><value>4 × 6 7/8 × 2"</value></field><field label="Medium" name="medium"><value>Paint on wood with metal and glass eyes</value></field><field label="Credit Line" name="creditline"><value>Gift of Alastair B. Martin</value></field><field label="Accession number" name="invno"><value>1969.1.90</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>decoy</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153515</value></field><field label="Source ID" name="sourceId"><value>1931</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Friday, January 21, 2022 - Monday, September 5, 2022" exhibitionEndISODate="2022-09-05" exhibitionEndDate="2022" exhibitionISOBeginDate="2022-01-21" exhibitionBeginDate="2022" exhibitionTitle="MULTITUDES" exhibitionID="251"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="606">John Glover</value></field><field label="Classification(s)" name="classifications"><value>Tools and Equipment</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Duxbury</value></field><field name="geographyCity"><value>Duxbury</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Massachusetts</value></field><field label="Bibliography" name="bibliography"><value>Treasures of Folk Art: Museum of American Folk Art</value></field><field label="Collections" name="collections"><value>Three Dimensional Works</value><value>Wildfowl Decoys</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Duxbury</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Sandpipers are so small (only six to eight inches in size), that it is remarkable that they were hunted. However, their unwary nature and willingness to return to a hunter's decoys made them the easiest of targets. Still, most hunters preferred the more marketable wild birds.

Elizabeth V. Warren and Stacy C. Hollander, "Decoy: Sandpiper," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 117</value><value>Same carver made shorebirds with removeable dove-tailed heads. Never before identified. Shelburne has four dowitchers by him.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/25220/full" mediaId="25220"/></field><field label="Begin Date" name="beginDate"><value>1890</value></field><field label="End Date" name="endDate"><value>1890</value></field><field label="Sort Number" name="sortNumber"><value>  1969     1   90                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Sandpipers are so small (only six to eight inches in size), that it is remarkable that they were hunted. However, their unwary nature and willingness to return to a hunter's decoys made them the easiest of targets. Still, most hunters preferred the more marketable wild birds.

Elizabeth V. Warren and Stacy C. Hollander, "Decoy: Sandpiper," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 117</value><value>Same carver made shorebirds with removeable dove-tailed heads. Never before identified. Shelburne has four dowitchers by him.</value></field></object>