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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Portrait of a Woman in a Mulberry Dress</value></field><field label="Date" name="displayDate"><value>1835–1840</value></field><field label="Dimensions" name="dimensions"><value>33 1/8 x 27 "
Frame: 42 3/4 x 36 7/8 x 2 1/2 " (108.6 x 93.7 x 6.4 cm)</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Credit Line" name="creditline"><value>Gift of Ann R. Coste</value></field><field label="Accession number" name="invno"><value>1970.1.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>portrait</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153509</value></field><field label="Source ID" name="sourceId"><value>1925</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, November 25, 1981 - Sunday, September 19, 1982" exhibitionEndISODate="1982-09-19" exhibitionEndDate="1982" exhibitionISOBeginDate="1981-11-25" exhibitionBeginDate="1981" exhibitionTitle="A Selection from the Permanent Collection" exhibitionID="272"/><value exhibitionDisplayDate="Sunday, September 14, 1980 - Sunday, December 7, 1980" exhibitionEndISODate="1980-12-07" exhibitionEndDate="1980" exhibitionISOBeginDate="1980-09-14" exhibitionBeginDate="1980" exhibitionTitle="American Folk Art – The View from New York" exhibitionID="329"/><value exhibitionDisplayDate="Tuesday, April 18, 1978 - Sunday, June 11, 1978" exhibitionEndISODate="1978-06-11" exhibitionEndDate="1978" exhibitionISOBeginDate="1978-04-18" exhibitionBeginDate="1978" exhibitionTitle="Selections from the Permanent Collection" exhibitionID="109"/><value exhibitionDisplayDate="1993–2001" exhibitionEndISODate="2001-10" exhibitionEndDate="2001" exhibitionISOBeginDate="1993-10-05" exhibitionBeginDate="1993" exhibitionTitle="America's Heritage" exhibitionID="64"/><value exhibitionDisplayDate="Monday, January 17, 1972 - Tuesday, February 29, 1972" exhibitionEndISODate="1972-02-29" exhibitionEndDate="1972" exhibitionISOBeginDate="1972-01-17" exhibitionBeginDate="1972" exhibitionTitle="A Retrospective Look" exhibitionID="217"/><value exhibitionDisplayDate="Monday, June 25, 1984 - Sunday, September 2, 1984" exhibitionEndISODate="1984-09-02" exhibitionEndDate="1984" exhibitionISOBeginDate="1984-06-25" exhibitionBeginDate="1984" exhibitionTitle="Cross Currents" exhibitionID="110"/><value exhibitionDisplayDate="Wednesday, June 20, 2012 - Sunday, October 7, 2012" exhibitionEndISODate="2012-10-07" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-06-20" exhibitionBeginDate="2012" exhibitionTitle="COMPASS: Folk Art in Four Directions" exhibitionID="151"/><value exhibitionDisplayDate="Thursday, April 13, 1989 - Sunday, July 16, 1989" exhibitionEndISODate="1989-07-16" exhibitionEndDate="1989" exhibitionISOBeginDate="1989-04-13" exhibitionBeginDate="1989" exhibitionTitle="Expressions of A New Spirit" exhibitionID="7"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="948">Isaac Sheffield</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>New London</value></field><field name="geographyCity"><value>New London</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Connecticut</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>New London</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Sheffield is first documented as a painter in the New York City directory of 1828 in which he is listed as a "miniature painter." By 1830 he was listed in the Brooklyn directory as a "portrait and miniature painter." His father's death in 1830 brought him back to New London, Connecticut, where he consistently painted prominent sea captains and their relatives. This portrait probably represents the wife of one of the five sea captains named Smith in New London at the time. It is possibly a wedding portrait.

Elizabeth V. Warren and Stacy C. Hollander, "Portrait of a Woman in a Mulberry Dress (Probably Mrs. Smith)," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 26</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>portrait</value><value>PAINTING</value><value>Issac Sheffield was the son of Captain Issac Sheffield and Betsy Sizar of New London, Connecticut.  Sheffield is first documented as a a painter in the NYC directory of 1828 in which he is listed as a "miniature painter." By 1830, he was listed in the Brooklyn directory as "miniature and portrait painter."  His father's death in 1830, brought Sheffield back to New London, Connecticut presumably to stay with his widowed mother.  In 1830 he advertised that he was "now carrying on his business on Court Street, a few doors from Mrs. Allen's City Hotel."  Thereafter he consistently painted prominent sea captains and their relatives of the New London area. This painting is very similar to the wedding portrait of Martha Manwaring of 1835.  Previously the painting was known as "Woman with Birthmark" and has thought to be the companion portrait of "Captain J. Smith with Ship Chelsea."  (see insert #1) Joyce Hill confirmed that the "Lady" was probably the wife of one of the five Captain Smiths of New London, but definitely not wife of Captain Smith, father of James Franklin Smith whose portrait by Sheffield is very well known.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/589/full" mediaId="589"/></field><field label="Begin Date" name="beginDate"><value>1835</value></field><field label="End Date" name="endDate"><value>1840</value></field><field label="Sort Number" name="sortNumber"><value>  1970     1    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Sheffield is first documented as a painter in the New York City directory of 1828 in which he is listed as a "miniature painter." By 1830 he was listed in the Brooklyn directory as a "portrait and miniature painter." His father's death in 1830 brought him back to New London, Connecticut, where he consistently painted prominent sea captains and their relatives. This portrait probably represents the wife of one of the five sea captains named Smith in New London at the time. It is possibly a wedding portrait.

Elizabeth V. Warren and Stacy C. Hollander, "Portrait of a Woman in a Mulberry Dress (Probably Mrs. Smith)," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 26</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>portrait</value><value>PAINTING</value><value>Issac Sheffield was the son of Captain Issac Sheffield and Betsy Sizar of New London, Connecticut.  Sheffield is first documented as a a painter in the NYC directory of 1828 in which he is listed as a "miniature painter." By 1830, he was listed in the Brooklyn directory as "miniature and portrait painter."  His father's death in 1830, brought Sheffield back to New London, Connecticut presumably to stay with his widowed mother.  In 1830 he advertised that he was "now carrying on his business on Court Street, a few doors from Mrs. Allen's City Hotel."  Thereafter he consistently painted prominent sea captains and their relatives of the New London area. This painting is very similar to the wedding portrait of Martha Manwaring of 1835.  Previously the painting was known as "Woman with Birthmark" and has thought to be the companion portrait of "Captain J. Smith with Ship Chelsea."  (see insert #1) Joyce Hill confirmed that the "Lady" was probably the wife of one of the five Captain Smiths of New London, but definitely not wife of Captain Smith, father of James Franklin Smith whose portrait by Sheffield is very well known.</value></field></object>