<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Cat Bootscraper</value></field><field label="Date" name="displayDate"><value>1900</value></field><field label="Dimensions" name="dimensions"><value>11 3/8 × 17 1/2 × 3"</value></field><field label="Medium" name="medium"><value>Cast iron</value></field><field label="Credit Line" name="creditline"><value>Gift of the Friends Committee of the Museum of American Folk Art</value></field><field label="Accession number" name="invno"><value>1979.22.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153451</value></field><field label="Source ID" name="sourceId"><value>1852</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, November 25, 1981 - Sunday, September 19, 1982" exhibitionEndISODate="1982-09-19" exhibitionEndDate="1982" exhibitionISOBeginDate="1981-11-25" exhibitionBeginDate="1981" exhibitionTitle="A Selection from the Permanent Collection" exhibitionID="272"/><value exhibitionDisplayDate="1983-1988" exhibitionEndISODate="1988" exhibitionEndDate="1988" exhibitionISOBeginDate="1983" exhibitionBeginDate="1983" exhibitionTitle="American Folk Art: Expressions of a New Spirit" exhibitionID="292"/><value exhibitionDisplayDate="Monday, January 12, 1976 - Friday, March 26, 1976" exhibitionEndISODate="1976-03-26" exhibitionEndDate="1976" exhibitionISOBeginDate="1976-01-12" exhibitionBeginDate="1976" exhibitionTitle="American Cat-alogue" exhibitionID="316"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Tools and Equipment</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Bootscrapers were a household necessity from the 17th through the 19th centuries. Because unpaved roads turned to mud whenever it rained, a device for scraping the mud off shoes before enterining the house was usually fastened to the front doorsteps; in cities it was often attached to the bricks of cobblestones next to the front steps. Cast iron, which became widley used from the mid-19th c. was sturdy and inexpensive and could be molded into a wide variety of forms. This design is sometimes called "Shadow the Cat" and was especially popular in the late and early 20th centuries. Because it was cast from a mold, many identical examples were made. **For more on PPM see Loans Out file.</value><value>
During the nineteenth century cast iron became a popular and relatively inexpensive material for the manufacture of a wide variety of utilitarian objects, including bootscrapers and door stops. Generally, a carver would fashion a wooden pattern, which in turn would be used to produce a metal mold. The mold made the multiple production of identical objects possible. These were then usually hand painted.

Elizabeth V. Warren and Stacy C. Hollander, "Cat Bootscraper," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 113</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/782/full" mediaId="782"/></field><field label="Begin Date" name="beginDate"><value>1900</value></field><field label="End Date" name="endDate"><value>1900</value></field><field label="Sort Number" name="sortNumber"><value>  1979    22    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Bootscrapers were a household necessity from the 17th through the 19th centuries. Because unpaved roads turned to mud whenever it rained, a device for scraping the mud off shoes before enterining the house was usually fastened to the front doorsteps; in cities it was often attached to the bricks of cobblestones next to the front steps. Cast iron, which became widley used from the mid-19th c. was sturdy and inexpensive and could be molded into a wide variety of forms. This design is sometimes called "Shadow the Cat" and was especially popular in the late and early 20th centuries. Because it was cast from a mold, many identical examples were made. **For more on PPM see Loans Out file.</value><value>
During the nineteenth century cast iron became a popular and relatively inexpensive material for the manufacture of a wide variety of utilitarian objects, including bootscrapers and door stops. Generally, a carver would fashion a wooden pattern, which in turn would be used to produce a metal mold. The mold made the multiple production of identical objects possible. These were then usually hand painted.

Elizabeth V. Warren and Stacy C. Hollander, "Cat Bootscraper," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 113</value></field></object>