<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Celebration</value></field><field label="Date" name="displayDate"><value>1965</value></field><field label="Dimensions" name="dimensions"><value>21 7/8 × 31 7/8"</value></field><field label="Medium" name="medium"><value>Oil pastel on laid paper</value></field><field label="Credit Line" name="creditline"><value>Gift of Timothy and Pamela Hill</value></field><field label="Accession number" name="invno"><value>1981.20.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153227</value></field><field label="Source ID" name="sourceId"><value>1592</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Tuesday, November 16, 2004 - Sunday, August 23, 2009" exhibitionEndISODate="2009-08-23" exhibitionEndDate="2009" exhibitionISOBeginDate="2004-11-16" exhibitionBeginDate="2004" exhibitionTitle="Folk Art Revealed" exhibitionID="132"/><value exhibitionDisplayDate="Thursday, August 8, 1996 - Sunday, December 29, 1996" exhibitionEndISODate="1996-12-29" exhibitionEndDate="1996" exhibitionISOBeginDate="1996-08-08" exhibitionBeginDate="1996" exhibitionTitle="American Expressions of Liberty" exhibitionID="83"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="327">Eddie Arning</value></field><field label="Classification(s)" name="classifications"><value>Drawings</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Austin</value></field><field name="geographyCity"><value>Austin</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Texas</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Austin</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Carl Wilhelm Edward Arning was born in 1898, in Germania, Texas, and left school after six years to work on his father’s farm. In his late 20s, he began to experience symptoms of mental illness; in 1928, after several violent episodes, he was committed to a state hospital in Austin, where he remained until furloughed to a nursing home in 1964 after his symptoms had disappeared. Encouraged by an art teacher at the home, Arning began to draw. His career was further nurtured by a group of collectors who provided materials and friendship. He enjoyed ten productive years, during which he made more than two thousand drawings. In 1973, after leaving the home to live with his sister, Arning ceased working.Arning’s primary medium was an oil pastel manufactured by the Japanese company Cray-Pas that was developed during the 1920s to encourage unhampered creativity in Japanese children after a period of cultural upheaval. For the first time, Japanese children were urged to engage in free-form drawing rather than copying, but no appropriate material was available to facilitate this goal. The artist Yamamoto joined forces with two private school owners in Tokyo, and together they formulated Cray-Pas, Cray meaning ease of application and Pas referring to the saturated color in dry pastels that they sought in their own product.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1285/full" mediaId="1285"/></field><field label="Begin Date" name="beginDate"><value>1965</value></field><field label="End Date" name="endDate"><value>1965</value></field><field label="Sort Number" name="sortNumber"><value>  1981    20    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Carl Wilhelm Edward Arning was born in 1898, in Germania, Texas, and left school after six years to work on his father’s farm. In his late 20s, he began to experience symptoms of mental illness; in 1928, after several violent episodes, he was committed to a state hospital in Austin, where he remained until furloughed to a nursing home in 1964 after his symptoms had disappeared. Encouraged by an art teacher at the home, Arning began to draw. His career was further nurtured by a group of collectors who provided materials and friendship. He enjoyed ten productive years, during which he made more than two thousand drawings. In 1973, after leaving the home to live with his sister, Arning ceased working.Arning’s primary medium was an oil pastel manufactured by the Japanese company Cray-Pas that was developed during the 1920s to encourage unhampered creativity in Japanese children after a period of cultural upheaval. For the first time, Japanese children were urged to engage in free-form drawing rather than copying, but no appropriate material was available to facilitate this goal. The artist Yamamoto joined forces with two private school owners in Tokyo, and together they formulated Cray-Pas, Cray meaning ease of application and Pas referring to the saturated color in dry pastels that they sought in their own product.</value></field></object>