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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Portrait of a Miller</value></field><field label="Date" name="displayDate"><value>1836</value></field><field label="Dimensions" name="dimensions"><value>30 1/2 × 25 1/4"</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Credit Line" name="creditline"><value>Gift of Cyril Irwin Nelson in honor of Howard and Jean Lipman</value></field><field label="Accession number" name="invno"><value>1981.13.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153223</value></field><field label="Source ID" name="sourceId"><value>1586</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Saturday, September 2, 2000 - Sunday, January 7, 2001" exhibitionEndISODate="2001-01-07" exhibitionEndDate="2001" exhibitionISOBeginDate="2000-09-02" exhibitionBeginDate="2000" exhibitionTitle="An Engagement with Folk Art" exhibitionID="121"/><value exhibitionDisplayDate="Wednesday, November 25, 1981 - Sunday, September 19, 1982" exhibitionEndISODate="1982-09-19" exhibitionEndDate="1982" exhibitionISOBeginDate="1981-11-25" exhibitionBeginDate="1981" exhibitionTitle="A Selection from the Permanent Collection" exhibitionID="272"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="373">Erastus Salisbury Field</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Egremont</value></field><field name="geographyCity"><value>Egremont</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Massachusetts</value></field><field label="Bibliography" name="bibliography"><value>Treasures of Folk Art: Museum of American Folk Art</value></field><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Egremont</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>PAINTING</value><value>portrait</value><value>
Erastus Salisbury Field, who briefly studied with Samuel F. B. Morse in 1824, was itinerant for much of his career, traveling throughout the New England countryside. Many of his clients were relatives or were referred to him by members of his large family. In 1841, Field returned to New York, possibly to learn daguerreotypy. Eventually, Field could no longer make a living as an artist but still spent his old age painting Biblical, mythological, and historical paintings at his familial home, Plumtrees, Massachusetts.

Elizabeth V. Warren and Stacy C. Hollander, "Portrait of a Miller," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 28</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1279/full" mediaId="1279"/></field><field label="Begin Date" name="beginDate"><value>1836</value></field><field label="End Date" name="endDate"><value>1836</value></field><field label="Sort Number" name="sortNumber"><value>  1981    13    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>PAINTING</value><value>portrait</value><value>
Erastus Salisbury Field, who briefly studied with Samuel F. B. Morse in 1824, was itinerant for much of his career, traveling throughout the New England countryside. Many of his clients were relatives or were referred to him by members of his large family. In 1841, Field returned to New York, possibly to learn daguerreotypy. Eventually, Field could no longer make a living as an artist but still spent his old age painting Biblical, mythological, and historical paintings at his familial home, Plumtrees, Massachusetts.

Elizabeth V. Warren and Stacy C. Hollander, "Portrait of a Miller," Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 28</value></field></object>