{"object":[{"sourceId":{"label":"Source ID","value":"1586"},"copyright":{"label":"Copyright","value":"The American Folk Art Museum believes this work to be in the public domain."},"creditline":{"label":"Credit Line","value":"Gift of Cyril Irwin Nelson in honor of Howard and Jean Lipman"},"endDate":{"label":"End Date","value":"1836"},"sortNumber":{"label":"Sort Number","value":"1981    13    1"},"invno":{"label":"Accession number","value":"1981.13.1"},"medium":{"label":"Medium","value":"Oil on canvas"},"geographyPlaceregion":{"label":"Place/Region","value":"Egremont"},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/1279/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"1279"}},"title":{"label":"Title","value":"Portrait of a Miller"},"geographyCity":{"value":"Egremont"},"textEntriesWebsitedisplaytext":{"value":["PAINTING","portrait","Erastus Salisbury Field, who briefly studied with Samuel F. B. Morse in 1824, was itinerant for much of his career, traveling throughout the New England countryside. Many of his clients were relatives or were referred to him by members of his large family. In 1841, Field returned to New York, possibly to learn daguerreotypy. Eventually, Field could no longer make a living as an artist but still spent his old age painting Biblical, mythological, and historical paintings at his familial home, Plumtrees, Massachusetts.Elizabeth V. Warren and Stacy C. Hollander, \"Portrait of a Miller,\" Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 28"]},"bibliography":{"label":"Bibliography","value":"Treasures of Folk Art: Museum of American Folk Art"},"collections":{"label":"Collections","value":"Paintings"},"geography":{"label":"Geography","value":"Egremont"},"id":{"label":"Id","value":"153223"},"geographyState":{"value":"Massachusetts"},"geographyCountry":{"value":"United States"},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"373","content":"Erastus Salisbury Field"}},"classifications":{"label":"Classification(s)","value":"Paintings"},"textEntries":{"label":"Text Entries","value":["PAINTING","portrait","Erastus Salisbury Field, who briefly studied with Samuel F. B. Morse in 1824, was itinerant for much of his career, traveling throughout the New England countryside. Many of his clients were relatives or were referred to him by members of his large family. In 1841, Field returned to New York, possibly to learn daguerreotypy. Eventually, Field could no longer make a living as an artist but still spent his old age painting Biblical, mythological, and historical paintings at his familial home, Plumtrees, Massachusetts.Elizabeth V. Warren and Stacy C. Hollander, \"Portrait of a Miller,\" Expressions of a New Spirit: Highlights from the Permanent Collection of the Museum of American Folk Art (New York: American Folk Art Museum, 1989), 28"]},"beginDate":{"label":"Begin Date","value":"1836"},"displayDate":{"label":"Date","value":"1836"},"exhibitions":{"label":"Exhibitions","value":[{"exhibitionDisplayDate":"Saturday, September 2, 2000 - Sunday, January 7, 2001","exhibitionEndISODate":"2001-01-07","exhibitionID":"121","exhibitionISOBeginDate":"2000-09-02","exhibitionBeginDate":"2000","exhibitionTitle":"An Engagement with Folk Art","exhibitionEndDate":"2001"},{"exhibitionDisplayDate":"Wednesday, November 25, 1981 - Sunday, September 19, 1982","exhibitionEndISODate":"1982-09-19","exhibitionID":"272","exhibitionISOBeginDate":"1981-11-25","exhibitionBeginDate":"1981","exhibitionTitle":"A Selection from the Permanent Collection","exhibitionEndDate":"1982"}]},"dimensions":{"label":"Dimensions","value":"30 1/2 × 25 1/4\""}}]}