<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Yellow Earthenware Mold: Wheat Sheaf Design</value></field><field label="Date" name="displayDate"><value>1860–1920</value></field><field label="Dimensions" name="dimensions"><value>3 1/2 × 6 × 7 3/4"</value></field><field label="Medium" name="medium"><value>Lead glazed earthenware</value></field><field label="Credit Line" name="creditline"><value>Gift of Pfalzgraff Co.</value></field><field label="Accession number" name="invno"><value>1982.9.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153168</value></field><field label="Source ID" name="sourceId"><value>1405</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Tools and Equipment</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster22964</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Yellowware first came to America in the late 1820s but was being produced on a large scale bythe 40sand50s. The height of production was between the 1860s-70s.  The English pieces used a yellow glaze on a tellow body. All American pieces have a clear glaze(alkaline).  The new pottery was well received because it was replacing the fragile and porous redware with a sturdier product fired at a greater temperature.  By 1830s moulds were introduced, but production continued into the 1920s especially in Ohio River Valley and New Jersey potteries.  By the end of the Century, East Liverpool with ideal location on banks of the Ohio River and plenty of raw materials was greatest producer of pottery in America.  Moulds called corn moulds used to create pleasing form in jellied or baked goods.</value><value>SCULPTURE</value><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster22964</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster22964</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster22964</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1311/full" mediaId="1311"/></field><field label="Begin Date" name="beginDate"><value>1860</value></field><field label="End Date" name="endDate"><value>1920</value></field><field label="Sort Number" name="sortNumber"><value>  1982     9    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Yellowware first came to America in the late 1820s but was being produced on a large scale bythe 40sand50s. The height of production was between the 1860s-70s.  The English pieces used a yellow glaze on a tellow body. All American pieces have a clear glaze(alkaline).  The new pottery was well received because it was replacing the fragile and porous redware with a sturdier product fired at a greater temperature.  By 1830s moulds were introduced, but production continued into the 1920s especially in Ohio River Valley and New Jersey potteries.  By the end of the Century, East Liverpool with ideal location on banks of the Ohio River and plenty of raw materials was greatest producer of pottery in America.  Moulds called corn moulds used to create pleasing form in jellied or baked goods.</value><value>SCULPTURE</value><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>