Skip to main content
Artist unidentified, “Eagle and Shield Weathervane”, Massachusetts, c. 1800, Cast bell metal, 3…
Eagle and Shield Weathervane
Artist unidentified, “Eagle and Shield Weathervane”, Massachusetts, c. 1800, Cast bell metal, 3…
Artist unidentified, “Eagle and Shield Weathervane”, Massachusetts, c. 1800, Cast bell metal, 36 × 43 1/2 × 4 in., Collection American Folk Art Museum, New York, Gift of Mr. and Mrs. Francis S. Andrews, 1982.6.4. Photo by John Parnell.
Record Details

Eagle and Shield Weathervane

Datec. 1800
Place/RegionMassachusetts, United States
MediumCast bell metal
Dimensions36 × 43 1/2 × 4"
Credit LineGift of Mr. and Mrs. Francis S. Andrews
Accession number1982.6.4
Description

On June 20, 1782, the bald eagle became the national symbol of the newly established United States of America with the adoption of the Great Seal. The process of designing the seal had taken six years, and once it was ratified, the eagle and shield became one of the most popular images in American decorative arts. This early depiction of the American eagle retains characteristics associated with another bird used symbolically in early America, the mythological phoenix, which rises reborn from its own ashes. The phoenix often was portrayed on fire marks and other devices associated with firefighting. It presents a fiercer aspect than the bald eagle and has an extra curve to the neck.

The six-pointed stars on the shield are also indicative of an early date, as the motif had been replaced by five-pointed stars later in the nineteenth century. This weathervane is fashioned from heavy bell metal, and it has been speculated that it was cast and wrought either at the Boston foundry established by Paul Revere in 1787 or in Canton, sixteen miles south of Boston, where Revere eventually moved his operations. According to tradition, the weathervane originally was raised on top of the Old State House in Boston and later removed to the town hall in either Clinton or Spencer, Massachusetts, where it stayed until about 1925; neither location, however, has been verified.

Stacy C. Hollander, "Eagle and Shield Weathervane," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 303.

Artist unidentified, “Pocket Watch Trade Sign,” United States, 1875–1900, Paint on cast metal, …
Artist unidentified
1875–1900
1985.17.10
Artist unidentified, “Optician Sign”, Possibly Pennsylvania, 1900, Gilded and painted cast zinc…
Artist unidentified
1900
1985.17.1
Cat Bootscraper
Artist Unknown
Photographer unidentified
Artist unidentified
1900
1979.22.1
Artist unidentified, “Andirons”, United States, 1795 - 1805, Cast iron, 12 × 14 in each., Colle…
Artist unidentified
1795–1805
1977.17.6
Artist unidentified, “Redhead”, United States, 1880–1900, Cast iron, 6 × 6 3/4 × 15 in., Collec…
Artist unidentified
1880–1900
1985.17.13
Artist unidentified, “Canvasback”, United States, 1880–1900, Cast iron, 5 × 6 3/4 × 14 in., Col…
Artist unidentified
1880–1900
1985.17.14
Artist unidentified, “Andirons”, United States, 1795 - 1805, Cast iron, 12 × 14 in each., Colle…
Artist unidentified
1795–1805
1977.17.7
Howard Finster, (1916–2001), “Unknown Disciple,” Summerville, Georgia, 1976–1977, Sand-cast Con…
Howard Finster
1976–1977
1987.7.6
Untitled (Doll in Blue with Pleated Skirt)
Morton Bartlett
Photographed by Gavin Ashworth
Morton Bartlett
1940–1950
1998.10.6
Jesse Aaron, “Untitled”, Gainsville, Florida, n.d., Paint on wood, 39 × 25 × 7 in., Collection …
Jesse Aaron
1968–1979
2021.6.3
Jesse Aaron, “Mask”, Gainesville, Florida, c. 1972, Cypress wood with cast resin, 22 x 23 x 4 i…
Jesse Aaron
c. 1972
2022.14.2