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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Virgin of Montserrat</value></field><field label="Date" name="displayDate"><value>Early 20th century</value></field><field label="Dimensions" name="dimensions"><value>10 1/2 × 5 × 3"</value></field><field label="Medium" name="medium"><value>Oil and gesso on wood</value></field><field label="Credit Line" name="creditline"><value>Gift of Chuck and Jan Rosenak</value></field><field label="Accession number" name="invno"><value>1982.5.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>polychrome wood sculpture</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153160</value></field><field label="Source ID" name="sourceId"><value>1395</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Friday, March 17, 2023 - Sunday, October 29, 2023" exhibitionEndISODate="2023-10-29" exhibitionEndDate="2023" exhibitionISOBeginDate="2023-03-17" exhibitionBeginDate="2023" exhibitionTitle="Material Witness" exhibitionID="249"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="907">Francisco "Pacheco" Claudio</value></field><field label="Classification(s)" name="classifications"><value>Sculpture</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Vega Alta</value></field><field name="geographyCity"><value>Vega Alta</value></field><field name="geographyCountry"><value>Puerto Rico</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Vega Alta</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>The Spanish tradition of polychrome wood sculpture was transmitted intact to her colonies.  The religious image was first carved and appendages pegged into place.  The piece was then covered in gesso, and painted.  In urban areas this was a guild effort with specialized craftsmen doing individual steps.  In provincial areas a single craftsman generally completed each project.</value><value>SCULPTURE</value><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Pacheco is known for his primitive carvings that were made entirely of wood. Pacheco carved with a pocket knife, the head, body and clothing carved from one block of wood and the attributes carved separately and attached with dowels or nails. The figures were gessoed and brightly painted with oils or native vegetable pigments. Gilding was rare. Our Lady of Monserrat is the patroness of Aguas Buenas, Hormigueros, Jayuya and Moca and Salinas. She is usually depicted as white or black skinned enthroned and with the Child on her knees. Popularly, she is supposed to have saved the life of a Hormigueros peasant who invoked her when he was charged by a bull.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1298/full" mediaId="1298"/></field><field label="Begin Date" name="beginDate"><value>1900</value></field><field label="End Date" name="endDate"><value>1930</value></field><field label="Sort Number" name="sortNumber"><value>  1982     5    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>The Spanish tradition of polychrome wood sculpture was transmitted intact to her colonies.  The religious image was first carved and appendages pegged into place.  The piece was then covered in gesso, and painted.  In urban areas this was a guild effort with specialized craftsmen doing individual steps.  In provincial areas a single craftsman generally completed each project.</value><value>SCULPTURE</value><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Pacheco is known for his primitive carvings that were made entirely of wood. Pacheco carved with a pocket knife, the head, body and clothing carved from one block of wood and the attributes carved separately and attached with dowels or nails. The figures were gessoed and brightly painted with oils or native vegetable pigments. Gilding was rare. Our Lady of Monserrat is the patroness of Aguas Buenas, Hormigueros, Jayuya and Moca and Salinas. She is usually depicted as white or black skinned enthroned and with the Child on her knees. Popularly, she is supposed to have saved the life of a Hormigueros peasant who invoked her when he was charged by a bull.</value></field></object>