<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Caleb Fuller</value></field><field label="Date" name="displayDate"><value>1816</value></field><field label="Dimensions" name="dimensions"><value>15 3/4 x 11 " (40 x 27.9 cm)
Frame: 18 1/8 x 13 x 1 1/8 " (46 x 33 x 2.9 cm)</value></field><field label="Medium" name="medium"><value>Reverse painting in oil on glass</value></field><field label="Credit Line" name="creditline"><value>Gift of Sybil B. and Arthur B. Kern</value></field><field label="Accession number" name="invno"><value>1983.11.2</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Bust length portrait of male with long sideburns and dark hair combed forward over forehead. Gentleman is depicted, posed to left, in dark coat in cream colored vest and white dress shirt. Collar of coat is raised high above shoulders.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153109</value></field><field label="Source ID" name="sourceId"><value>1307</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Monday, October 3, 1983 - Sunday, November 13, 1983" exhibitionEndISODate="1983-11-13" exhibitionEndDate="1983" exhibitionISOBeginDate="1983-10-03" exhibitionBeginDate="1983" exhibitionTitle="The Museum Collects" exhibitionID="277"/><value exhibitionDisplayDate="Wednesday, September 12, 2012 - Sunday, January 20, 2013" exhibitionEndISODate="2013-01-20" exhibitionEndDate="2013" exhibitionISOBeginDate="2012-09-12" exhibitionBeginDate="2012" exhibitionTitle="FOILED" exhibitionID="150"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="1999">Benjamin Greenleaf</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster8824</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Maine</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>PAINTING</value><value>
Benjamin Greenleaf was born in Hull, Massachusetts. He started his career as an itinerant portrait painter as early as 1803, traveling through Maine, New Hampshire, and Massachusetts. His subjects were interrelated by marriage or by community ties and included doctors, clergymen, and military personnel. Greenleaf usually worked with oil on board, but from 1810 to 1818 he also produced reverse paintings on glass. 

Caleb Fuller was born in Oxford, Maine, on February 19, 1771. He was one of the early settlers of Paris, a town about forty miles from Wiscasset. 

Both portraits demonstrate typical characteristics of Greenleaf profiles. Most notably, they are three-quarter bust-length portraits that fill most of the support and stand out from their dark backgrounds.

Lee Kogan, FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 18.</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster8824</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster8824</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster8824</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1346/full" mediaId="1346"/></field><field label="Begin Date" name="beginDate"><value>1816</value></field><field label="End Date" name="endDate"><value>1816</value></field><field label="Sort Number" name="sortNumber"><value>  1983    11    2                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>PAINTING</value><value>
Benjamin Greenleaf was born in Hull, Massachusetts. He started his career as an itinerant portrait painter as early as 1803, traveling through Maine, New Hampshire, and Massachusetts. His subjects were interrelated by marriage or by community ties and included doctors, clergymen, and military personnel. Greenleaf usually worked with oil on board, but from 1810 to 1818 he also produced reverse paintings on glass. 

Caleb Fuller was born in Oxford, Maine, on February 19, 1771. He was one of the early settlers of Paris, a town about forty miles from Wiscasset. 

Both portraits demonstrate typical characteristics of Greenleaf profiles. Most notably, they are three-quarter bust-length portraits that fill most of the support and stand out from their dark backgrounds.

Lee Kogan, FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 18.</value></field></object>