<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Tinsel Painting</value></field><field label="Date" name="displayDate"><value>1860</value></field><field label="Dimensions" name="dimensions"><value>14 7/8 × 12 7/8"</value></field><field label="Medium" name="medium"><value>Reverse painting on glass, foil</value></field><field label="Credit Line" name="creditline"><value>Gift of Mr. and Mrs. Day Krolik Jr.</value></field><field label="Accession number" name="invno"><value>1979.3.4</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Tinsel painting of vase of flowers on black background. Footed vase with shaped handles, body painted black with grid design of intersecting lines. Large white and gold flowers, blue leaves;  vase standing on marble slab.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152286</value></field><field label="Source ID" name="sourceId"><value>128</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, September 12, 2012 - Sunday, January 20, 2013" exhibitionEndISODate="2013-01-20" exhibitionEndDate="2013" exhibitionISOBeginDate="2012-09-12" exhibitionBeginDate="2012" exhibitionTitle="FOILED" exhibitionID="150"/><value exhibitionDisplayDate="Thursday, August 8, 1996 - Sunday, December 29, 1996" exhibitionEndISODate="1996-12-29" exhibitionEndDate="1996" exhibitionISOBeginDate="1996-08-08" exhibitionBeginDate="1996" exhibitionTitle="American Expressions of Liberty" exhibitionID="83"/><value exhibitionDisplayDate="1983-1988" exhibitionEndISODate="1988" exhibitionEndDate="1988" exhibitionISOBeginDate="1983" exhibitionBeginDate="1983" exhibitionTitle="American Folk Art: Expressions of a New Spirit" exhibitionID="292"/><value exhibitionDisplayDate="Wednesday, November 25, 1981 - Sunday, September 19, 1982" exhibitionEndISODate="1982-09-19" exhibitionEndDate="1982" exhibitionISOBeginDate="1981-11-25" exhibitionBeginDate="1981" exhibitionTitle="A Selection from the Permanent Collection" exhibitionID="272"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Still Life</value><value>PAINTING</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Tinsel painting, sometimes referred to as "Oriental, pearl or crystal painting" was a techniques of reverse painting on glass with areas left unpainted. These blank areas were then backed with foil, mother of pearl, mica and other reflective materials to give a shimmery air to the composition. The background was then filled in with an opaque paint--usually black--but sometimes white, or even blue. Tinsel painting became popular after the middle of the nineteenth century as a leisure art for Victorian women. Patterns were offered through many ofthe ladies' magazines such as Peterson's.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/743/full" mediaId="743"/></field><field label="Begin Date" name="beginDate"><value>1860</value></field><field label="End Date" name="endDate"><value>1860</value></field><field label="Sort Number" name="sortNumber"><value>  1979     3    4                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Still Life</value><value>PAINTING</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Tinsel painting, sometimes referred to as "Oriental, pearl or crystal painting" was a techniques of reverse painting on glass with areas left unpainted. These blank areas were then backed with foil, mother of pearl, mica and other reflective materials to give a shimmery air to the composition. The background was then filled in with an opaque paint--usually black--but sometimes white, or even blue. Tinsel painting became popular after the middle of the nineteenth century as a leisure art for Victorian women. Patterns were offered through many ofthe ladies' magazines such as Peterson's.</value></field></object>