<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Vase of Flowers</value></field><field label="Date" name="displayDate"><value>1855–1865</value></field><field label="Dimensions" name="dimensions"><value>17 3/8 × 14 × 1/2"</value></field><field label="Medium" name="medium"><value>Reverse painting and foil on glass</value></field><field label="Credit Line" name="creditline"><value>Gift of Mr. and Mrs. Day Krolik Jr.</value></field><field label="Accession number" name="invno"><value>1979.3.3</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Vase of flowers on white background</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152282</value></field><field label="Source ID" name="sourceId"><value>123</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, July 15, 1987 - Friday, September 4, 1987" exhibitionEndISODate="1990-06-03" exhibitionEndDate="1990" exhibitionISOBeginDate="1987-07-15" exhibitionBeginDate="1987" exhibitionTitle="Life in the New World" exhibitionID="57"/><value exhibitionDisplayDate="Wednesday, September 12, 2012 - Sunday, January 20, 2013" exhibitionEndISODate="2013-01-20" exhibitionEndDate="2013" exhibitionISOBeginDate="2012-09-12" exhibitionBeginDate="2012" exhibitionTitle="FOILED" exhibitionID="150"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Exhibition History" name="exhHistory"><value>
</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>PAINTING</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Still Life</value><value>Tinsel painting, sometimes referred to as "Oriental, pearl or crystal painting" was a techniques of reverse painting on glass with areas left unpainted. These blank areas were then backed with foil, mother of pearl, mica and other reflective materials to give a shimmery air to the composition. The background was then filled in with an opaque paint--usually black--but sometimes white, or even blue. Tinsel painting became popular after the middle of the nineteenth century as a leisure art for Victorian women. Patterns were offered through many ofthe ladies' magazines such as Peterson's.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/742/full" mediaId="742"/></field><field label="Begin Date" name="beginDate"><value>1855</value></field><field label="End Date" name="endDate"><value>1865</value></field><field label="Sort Number" name="sortNumber"><value>  1979     3    3                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>PAINTING</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Still Life</value><value>Tinsel painting, sometimes referred to as "Oriental, pearl or crystal painting" was a techniques of reverse painting on glass with areas left unpainted. These blank areas were then backed with foil, mother of pearl, mica and other reflective materials to give a shimmery air to the composition. The background was then filled in with an opaque paint--usually black--but sometimes white, or even blue. Tinsel painting became popular after the middle of the nineteenth century as a leisure art for Victorian women. Patterns were offered through many ofthe ladies' magazines such as Peterson's.</value></field></object>