<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Four-Patch in Block-Work Quilt</value></field><field label="Date" name="displayDate"><value>1925–1935</value></field><field label="Dimensions" name="dimensions"><value>85 × 72 1/2"</value></field><field label="Medium" name="medium"><value>Cotton and rayon</value></field><field label="Credit Line" name="creditline"><value>Gift of Mr. and Mrs. William B. Wigton</value></field><field label="Accession number" name="invno"><value>1984.25.10</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Applied binding machine stitched to top; rope quilting in inner and outer borders; in pieced blocks, grid quilting, plain blocks, floral motif, in triangles or half-blocks, tulips.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>153001</value></field><field label="Source ID" name="sourceId"><value>1120</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Saturday, May 22, 1999 - Sunday, November 28, 1999" exhibitionEndISODate="1999-11-28" exhibitionEndDate="1999" exhibitionISOBeginDate="1999-05-22" exhibitionBeginDate="1999" exhibitionTitle="Beyond the Square" exhibitionID="100"/><value exhibitionDisplayDate="Wednesday, March 20, 1985 - Sunday, April 28, 1985" exhibitionEndISODate="1985-04-28" exhibitionEndDate="1985" exhibitionISOBeginDate="1985-03-20" exhibitionBeginDate="1985" exhibitionTitle="Continuity and Change" exhibitionID="280"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="84">Annie M. Peachey</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Culture" name="culture"><value>Yellow Topper Amish, Byler Group</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Pennsylvania</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Textiles</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Mifflin County, Pennsylvania, was first settled by the Amish in the 1790s and is now home to five separate and distinct Amish groups. Four- and Nine-Patch patterns, the only designs permitted by the most conservative sects, are nevertheless the most popular types of quilts among all the groups in the county. Mifflin County Amish quilts are commonly found in a variety of fabrics, including rayon (which was manufactured in the county), and often the fabrics are mixed in a single quilt.

Elizabeth V. Warren, "Four-Patch in Block-Work Quilt," exhibition label from QUILTS: Masterworks from the American Folk Art Museum. Elizabeth V. Warren, curator. New York: American Folk Art Museum, 2010.</value><value>AMISH QUILT</value><value>TEXTILE</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/4805/full" mediaId="4805"/></field><field label="Begin Date" name="beginDate"><value>1925</value></field><field label="End Date" name="endDate"><value>1935</value></field><field label="Sort Number" name="sortNumber"><value>  1984    25   10                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Mifflin County, Pennsylvania, was first settled by the Amish in the 1790s and is now home to five separate and distinct Amish groups. Four- and Nine-Patch patterns, the only designs permitted by the most conservative sects, are nevertheless the most popular types of quilts among all the groups in the county. Mifflin County Amish quilts are commonly found in a variety of fabrics, including rayon (which was manufactured in the county), and often the fabrics are mixed in a single quilt.

Elizabeth V. Warren, "Four-Patch in Block-Work Quilt," exhibition label from QUILTS: Masterworks from the American Folk Art Museum. Elizabeth V. Warren, curator. New York: American Folk Art Museum, 2010.</value><value>AMISH QUILT</value><value>TEXTILE</value></field></object>