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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Family Tree</value></field><field label="Date" name="displayDate"><value>1850–1860</value></field><field label="Dimensions" name="dimensions"><value>22 1/4 × 18 1/4"</value></field><field label="Medium" name="medium"><value>Reverse painting and foil on glass with twelve applied ambrotypes</value></field><field label="Credit Line" name="creditline"><value>Gift of Kristina Barbara Johnson</value></field><field label="Accession number" name="invno"><value>1992.17.8</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Large tree with short trunk, curling branches and oak like leaves rises out of a short green mound. Spaced symmetrically in the tree among the branches are two ambrotypes, evidently members of a family. At the top of the trunk is a rectangualr portrait of the mother and father. Surrounding them are ten oval portraits of their children: five girls/women and five boys/men. Rectangular wood frmae : gilted gesso with beaded rim.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152991</value></field><field label="Source ID" name="sourceId"><value>1106</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Friday, January 21, 2022 - Monday, September 5, 2022" exhibitionEndISODate="2022-09-05" exhibitionEndDate="2022" exhibitionISOBeginDate="2022-01-21" exhibitionBeginDate="2022" exhibitionTitle="MULTITUDES" exhibitionID="251"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>PAINTING</value><value>
Family histories were often maintained through hand-drawn or embroidered records that documented generations of family members. Such records usually include names as well as birth and death dates. Tress, with their many branches, were favored symbolic element. This unusually large example combines freehand painting and ambrotypes of a family with ten children. Judging by the appearance and placement of four of the young men, there might be two sets of male twins.

Lee Kogan, "Family Tree," FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 91</value><value>Tinsel Painting</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/4635/full" mediaId="4635"/></field><field label="Begin Date" name="beginDate"><value>1850</value></field><field label="End Date" name="endDate"><value>1860</value></field><field label="Sort Number" name="sortNumber"><value>  1992    17    8                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>PAINTING</value><value>
Family histories were often maintained through hand-drawn or embroidered records that documented generations of family members. Such records usually include names as well as birth and death dates. Tress, with their many branches, were favored symbolic element. This unusually large example combines freehand painting and ambrotypes of a family with ten children. Judging by the appearance and placement of four of the young men, there might be two sets of male twins.

Lee Kogan, "Family Tree," FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 91</value><value>Tinsel Painting</value></field></object>