<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Silver Whale</value></field><field label="Date" name="displayDate"><value>1860–1880</value></field><field label="Dimensions" name="dimensions"><value>12 5/8 × 14 3/8 × 1"</value></field><field label="Medium" name="medium"><value>Reverse painting and foil on glass</value></field><field label="Credit Line" name="creditline"><value>Gift of Kristina Barbara Johnson</value></field><field label="Accession number" name="invno"><value>1992.17.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Tinsel painting showing profile of whale with upturned tail in silver foil. At base of picture shooting from his spout is a geyser of silver flowers and green tinted vines. Silver seagull with outstretched wings above. Background is black. Rectangular wood frame,painted gold on front surface. Frame backed with a glittery effect.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152979</value></field><field label="Source ID" name="sourceId"><value>1085</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Friday, January 21, 2022 - Sunday, January 29, 2023" exhibitionEndISODate="2023-01-29" exhibitionEndDate="2023" exhibitionISOBeginDate="2022-01-21" exhibitionBeginDate="2022" exhibitionTitle="Pushing Boundaries" exhibitionID="252"/><value exhibitionDisplayDate="Wednesday, September 12, 2012 - Sunday, January 20, 2013" exhibitionEndISODate="2013-01-20" exhibitionEndDate="2013" exhibitionISOBeginDate="2012-09-12" exhibitionBeginDate="2012" exhibitionTitle="FOILED" exhibitionID="150"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>
Whaling was an important industry in nineteenth-century America. Hundreds of ships left New England and returned, sometimes after several years, with whale oil and other products derived from the huge mammal. When oil reserves were discovered on land and refineries developed, whaling declined. Memories of the industry live on in literature with Herman Melville's Moby-Dick and in art with scrimshaw, or whalebone carving. In this small nineteenth-century tinsel painting, the whale spouts water from its blowhole.

Lee Kogan, "Silver Whale," FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 90</value><value>Tinsel Painting</value><value>PAINTING</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2339/full" mediaId="2339"/></field><field label="Begin Date" name="beginDate"><value>1860</value></field><field label="End Date" name="endDate"><value>1880</value></field><field label="Sort Number" name="sortNumber"><value>  1992    17    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>
Whaling was an important industry in nineteenth-century America. Hundreds of ships left New England and returned, sometimes after several years, with whale oil and other products derived from the huge mammal. When oil reserves were discovered on land and refineries developed, whaling declined. Memories of the industry live on in literature with Herman Melville's Moby-Dick and in art with scrimshaw, or whalebone carving. In this small nineteenth-century tinsel painting, the whale spouts water from its blowhole.

Lee Kogan, "Silver Whale," FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 90</value><value>Tinsel Painting</value><value>PAINTING</value></field></object>