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Artist unidentified, “Independent Order of Odd Fellows Heart in Hand Staff,” United States, 185…
Independent Order of Odd Fellows Heart in Hand Staff
Artist unidentified, “Independent Order of Odd Fellows Heart in Hand Staff,” United States, 185…
Artist unidentified, “Independent Order of Odd Fellows Heart in Hand Staff,” United States, 1850–1900, Paint and gold leaf on wood, 57 × 6 × 2", Collection American Folk Art Museum, New York, Gift of Kendra and Allan Daniel, 2015.1.139. Photo by José Andrés Ramírez.
Record Details

Independent Order of Odd Fellows Heart in Hand Staff

Date1850–1900
MediumPaint and gold leaf on wood
Dimensions57 × 6 × 2"
Credit LineGift of Kendra and Allan Daniel
Accession number2015.1.139
Description

The heart in hand symbol is widely recognized for its association with the Independent Order of Odd Fellows. This selection of staffs and finials demonstrates the sheer variety that was available during the nineteenth and early twentieth centuries. Several were sold by large American regalia houses; others are individualized examples that may have been made by an artist for his own use, or as a commission or gift.

The heart in hand incorporates values of candor, frankness, and sincerity, as well as the lesson that “whatever the hand finds to do, the heart should go forth in wisdom.” It features in the ritual teachings for the Second, or Love, Degree, and when mounted on a staff, was carried by the Conductor as he led initiates and visitors around the lodge. It was also used as the symbol of the Past Grand. Most regalia catalogs show this type of staff in the official gesture of an open hand, the fingers and thumb pointing up. A few catalogs show the less common gesture of the thumb folded horizontally across the palm. This is described in some nineteenth-century sources as the first phase of a three-part secret Odd Fellows countersign.

Stacy C. Hollander, "Independent Order of Odd Fellows Heart in Hand Staff," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. 

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