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Jimmy Lee Sudduth, (1910–2007), “Portrait of a Woman,” Fayette, Alabama, 1988, Crayon and mud-c…
Untitled (Portrait of a Woman)
Jimmy Lee Sudduth, (1910–2007), “Portrait of a Woman,” Fayette, Alabama, 1988, Crayon and mud-c…
Jimmy Lee Sudduth, (1910–2007), “Portrait of a Woman,” Fayette, Alabama, 1988, Crayon and mud-clay on wood panel, 24 × 24 in., Collection American Folk Art Museum, New York, Gift of Kurt A. Gitter and Alice Yelen, 1989.8.1. Photo by Gavin Ashworth.
Record Details

Untitled (Portrait of a Woman)

Artist ((1910–2007))
Date1988
Place/RegionFayette, Alabama
MediumMud, crayon, and handcrafted pigments on wood panel
Dimensions24 × 24"
Credit LineGift of Kurt A. Gitter and Alice Yelen
Accession number1989.8.1
CopyrightCopyright for this work is under review.
Description

Jimmy Lee Sudduth began drawing with mud on trees and stumps as a child. Seeking to make this pigment more permanent, he began experimenting with different binders and eventually settled on sorghum syrup, which he later varied to include almost any sugar-based liquid—from sugar water to Coca-Cola. To tint his paints, he mixed his binders not only with earth pigments, but also experimented with dozens of other everyday colorants—from grass to lawnmower soot— becoming a master of untried technique. He also used commercially available paints, alone or mixed with mud. Sudduth’s skill as a colorist is visible in the contrasts of his unusual palette.

Adapted from “Jimmy Lee Sudduth” by Susan Mitchell Crawley in The Hidden Art (New York: Skira Rizzoli/American Folk Art Museum, 2017), 206–209.

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