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Masonic Sign
Attributed to David Morrill (1788–1878)
Photo by José Andrés Ramírez
Masonic Sign
Masonic Sign
Attributed to David Morrill (1788–1878)
Photo by José Andrés Ramírez
Masonic Sign Attributed to David Morrill (1788–1878) Photo by José Andrés Ramírez
Record Details

Masonic Sign

Date1871
MediumPaint and gold leaf on wood
Dimensions34 1/4 × 28 × 1 3/4"
Credit LineGift of Kendra and Allan Daniel
Accession number2015.1.30
CopyrightThe American Folk Art Museum believes this work to be in the public domain.
Description

This unique Masonic plaque is probably the work of ornamental painter David Morrill, who was born in New Hampshire, moved to Vermont, and served as a soldier during the War of 1812. In addition to painting carriages and sleighs, Morrill’s account books reveal that he also decorated signs, chairs, cradles, chimney pieces, and floorcloths.

The plaque displays a combination of dimensional symbols against a patriotic background mimicking the American flag in the form of a shield. The all-seeing eye, symbolizing watchfulness, and the central “G,” signifying God, geometry, or both, are pervasive Masonic icons. The blue canton includes a ladder with three rungs and the initials “CHF,” representing charity, hope, and faith. An ark and anchor signifying “a well-grounded hope and a well-spent life” play against the red-and-white stripes. The sign also includes a sword pointing to a heart, symbolizing that “justice will sooner or later overtake us.”

Morrill is listed as a member of Orange Mark Lodge No. 14 in 1825. After his death in 1878, he was remembered in a published history of Norwich, Vermont, as “a firm believer in the mystic order, [who] governed his daily life by the square and rule.”

Stacy C. Hollander, "Masonic Sign," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. 

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