Skip to main content
Artist unidentified, “Fancy Side Chair,” Probably New York or Connecticut, United States, c.183…
Fancy Side Chair
Artist unidentified, “Fancy Side Chair,” Probably New York or Connecticut, United States, c.183…
Artist unidentified, “Fancy Side Chair,” Probably New York or Connecticut, United States, c.1830–1845, Paint, bronze powder stenciling, and gold leaf on wood, 35 3/8 × 17 1/4 × 19 in., Collection American Folk Art Museum, New York, Gift of the Historical Society of Early American Decoration, 82.19.1.
Record Details

Fancy Side Chair

Datec.1830–1845
Place/RegionProbably New York or Connecticut, United States
MediumPaint, bronze powder stenciling, and gold leaf on wood with painted rush seat
Dimensions35 3/8 × 17 1/4 × 19"
Credit LineGift of the Historical Society of Early American Decoration
Accession number82.19.1
CopyrightThe American Folk Art Museum believes this work to be in the public domain.
Description

This fancy side chair features a roll top, which was popular in New York City, upstate New York, New Jersey, and Connecticut from the mid-1820s through the 1840s. The ornamental scroll front and "turkey legs," with multiple ring turnings embellished with gold leaf, elevated both the challenges of construction and the resulting price to the customer. The seat on this type of chair was often woven rush, known as "flag," thus leading to the appellation "flag-bottomed" chair. Flag could be purchased in bundles and stored for future use, or it could be acquired green directly from sloops that brought it into New York's ports. Before it could be bundled and stored, however, the rush had to be properly dried to prevent rotting. After the rush was "matted" and "moulded" (woven and framed), it frequently received two coats of white paint for added protection and decorative effect. Ransom Cook, Saratoga Springs's best known nineteenth-century chairmaker, repaired, painted, and bottomed such chairs. In the 1830s his charge for matting and painting rush seats on four chairs was just $1.25.

Stacy C. Hollander, "Fancy Side Chair," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 328.

Armchair with View of Ithaca Falls
Chairmaker unidentified, decoration probably by R. H. Ranne…
Chairmaker unidentified
c. 1817–1825
2005.8.19
Lambert Hitchcock, (1795–1829), “Side Chair,” Hitchcocks-ville, Connecticut, 1826–1829, Paint, …
Lambert Hitchcock
1826–1829
58.29
Artist unidentified, “Box,” United States, c. 1825, Paint, bronze-powder stenciling, and gold l…
Artist unidentified
c. 1825
64.3.2
Artist unidentified, “Steamboat Veto Box,” Possibly New York, United States, c. 1832, Paint, go…
Artist unidentified
c. 1832
76.5.2
Artist unidentified, “Cornice Board,” Hudson Valley, New York, c. 1825, Bronze-powder stencilin…
Artist unidentified
c. 1825
75.2
Artist unidentified, “Fancy Side Chair.” Possibly Salem, Massachusetts, 1800–1820, Paint and go…
Artist unidentified
1800–1820
73.4
John K. Livingston, (1842–1917), “Chest of Drawers,” Soap Hollow, Somerset County, Pennsylvania…
John K. Livingston
1874
2016.19.1
David K. Livingston, (1845–1940), “Cupboard-over-Drawers,” Soap Hollow, Somerset County, Pennsy…
David K. Livingston
1870
2016.19.2
Box
Artist unidentified
Photo by John Parnell
Artist unidentified
c. 1825
1995.4.5
Artist unidentified, “Busk,”  United States, c. 1825–1840, Paint and bronze-powder stenciling o…
Artist unidentified
c. 1825–1840
58.13.106