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Johannes Spitler, (1774–1837), “Tall Case Clock,” Shenandoah County, Virginia, 1801, Paint on y…
Tall Case Clock
Johannes Spitler, (1774–1837), “Tall Case Clock,” Shenandoah County, Virginia, 1801, Paint on y…
Johannes Spitler, (1774–1837), “Tall Case Clock,” Shenandoah County, Virginia, 1801, Paint on yellow pine, with brass and steel works, modern watercolor and ink on period-paper face, and original sheet-iron dial, 85 1/2 × 14 3/4 × 8 1/4 in., Collection American Folk Art Museum, New YorkGift of Ralph Esmerian, 2005.8.27. Photo by Gavin Ashworth
Record Details

Tall Case Clock

Artist ((1774–1837))
Date1801
Place/RegionVirginia, United States
MediumPaint on yellow pine, with brass and steel works, modern watercolor and ink on period-paper face, and original sheet-iron dial
Dimensions85 1/2 × 14 3/4 × 8 1/4"
Credit LineGift of Ralph Esmerian
Accession number2005.8.27
CopyrightThe American Folk Art Museum believes this work to be in the public domain.
Description

The two names that appear on this coffin-case clock reveal lives intertwined through marriage, culture, place, and artistry. The area of Shenandoah County, Virginia, that came to be known as Masanutten was settled in the 1720s by eight families of Swiss Mennonite heritage. The clock case bears the name Jacob Strickler, a fraktur artist and Mennonite preacher whose family was included among these original pioneers. It also reveals the name Johannes Spitler, previously known only by the initials “j.SP” that appear on a group of more than twenty related pieces of furniture distinctively paint-decorated using red lead, white lead, Prussian blue, and lampblack pigments. Each piece is primed with red lead, and the design elements are lightly scored into the surfaces. This clock is painted with motifs, such as the upside-down hearts, that are strongly associated with fraktur by Strickler, Spitler’s neighbor. Unlike the other examples of furniture that are meticulously crafted using a variety of sophisticated and skilled techniques, the name and front panels on this clock are not framed but are instead laboriously made from single boards that have been carved to simulate panel construction. Spitler and his family relocated sometime after 1805 to Ohio, where he died, in 1837.

Stacy C. Hollander, “Tall Case Clock,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. 

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Chest
Attributed to Johannes Spitler
Photo © 2000 John Bigelow Taylor
Johannes Spitler
c. 1800
2005.8.29
Johannes Ernst Spangenberg (c. 1755–1814), “Religious Text for Jacob Schäfer”, Easton area, Nor…
Johannes Ernst Spangenberg
c. 1785–1790
2019.1.1
Small Chest
Attributed to Johannes Spitler
Photo by John Bigelow Taylor
Artist unidentified
c. 1807–1822
2005.8.28
Dower Chest
Attributed to Johannes Kniskern
Photo by Gavin Ashworth
Johannes Kniskern
1778
2013.1.31
Door from the Cornelius Couwenhoven House
Daniel Hendrickson
Photographer unidentified
Daniel Hendrickson
Mid-eighteenth century
2005.8.18
Chest of Drawers
Probably Johannes Mayer
Photo by Helga Photo Studio
Johannes Mayer
1830
1981.12.3
Blanket Chest on Chest of Drawers
Artist unidentified
Maine, United States
c. 1830–1840
Pai…
Artist unidentified
c. 1830–1840
2001.33.5
Artist unknown; Seth Thomas works, “Tramp Art Clock”, United States, 1900, Carved wood case, pa…
Artist unknown; Seth Thomas works
1900
1982.10.1
Book of Arithmetic Problems of Johannes Whisler
Probably Johannes Whisler
Photo © 2000 John B…
Johannes Whisler
1814–1815
2005.8.44
Birth and Baptismal Certificate for Martin Andres
Johannes Ernst Spangenberg
Photo by John Pa…
Johannes Ernst Spangenberg
c. 1788
2005.8.33
Ann Beer Low Blanket Chest
Artist unidentified
Photo by John Parnell
Artist unidentified
1790
1981.12.4