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Sgraffito Plate or Deep Dish with Double-Headed Eagle
George Hubener 
Photo © 2000 John Bigel…
Sgraffito Plate or Deep Dish with Double-Headed Eagle
Sgraffito Plate or Deep Dish with Double-Headed Eagle
George Hubener 
Photo © 2000 John Bigel…
Sgraffito Plate or Deep Dish with Double-Headed Eagle George Hubener Photo © 2000 John Bigelow Taylor
Record Details

Sgraffito Plate or Deep Dish with Double-Headed Eagle

Artist ((1757–1828))
Date1792
Place/RegionLimerick Township, Pennsylvania, United States
MediumGlazed red earthenware
Dimensions2 1/4 × 12 5/8" diam.
Credit LineGift of Ralph Esmerian
Accession number2005.8.24
CopyrightThe American Folk Art Museum believes this work to be in the public domain.
Description

The words that master potter George Hubener inscribed around the circumference of this deep dish perfectly express the level of excellence that can be attained only through a complete sympathy with one’s material of creation. Incised through the wet slip and into the red clay body are words in German that translate as: “1792 out of the Earth with understanding The Potter makes everything. He who can make something is esteemed. The unskilled no one regards.” Above the image Hubener has further written: “This is a Double-Headed eagle.”

Hubener may have apprenticed with Moravian potter John Ludwig Huebner or John George Sissholtz. His plates are fashioned in a traditional Continental form of a deep dish and are wheel-thrown, resulting in deep angular walls, a flat bottom, and a thick, out-turned rolled rim. Most of his surviving wares are inscribed with dates from 1786 to 1793; this example is a tour de force of traditional Southern German motifs: the double-headed eagle, a peacock, a heart, and tulips. Hubener established his own pottery, but after 1797 he is documented in Chester County as a mill owner rather than a potter.

Stacy C. Hollander, “Sgraffito Plate or Deep Dish with Double-Headed Eagle,” exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. 

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