Skip to main content
Devil House
Frank Albert Jones
Photo by Gavin Ashworth
Devil House
Devil House
Frank Albert Jones
Photo by Gavin Ashworth
Devil House Frank Albert Jones Photo by Gavin Ashworth
Record Details

Devil House

Artist ((1900–1969))
Date1960–1969
MediumColored pencil (accounting pencil) and pencil on paper
DimensionsSheet: 25 x 38 "
Frame Dimension: 32 7/8 x 46 " (83.5 x 116.8 cm)
Credit LineGift of Chapman Kelley
Accession number2003.21.1
Photo CreditGavin Ashworth
CopyrightCopyright for this work is under review.
Description

Some communities are unexpected, such as the community that evolves from prison life. Prison systems develop into places where prisoners are both colleagues and adversaries to one another, where relationships are established based on power, love, money, and time. Within the environment of prison life, unlikely artistic expressions have flowered over time and over cultures. Tattooing is perhaps the most commonly known artistic expression in prison life, but there are numerous examples of more fully developed arts, which are often allowed to mature in the gray environment of incarceration.


 In 1964, Frank Jones was serving a life sentence for murder in Huntsville, Texas, when he salvaged red and blue accountants’ pencil stubs from the garbage and recycled discarded paper from the prison office where he worked. He rather quickly developed his singular forms and palette and subjects, architectural structures constructed from barbed-wire-like shapes drawn in red and blue. He called them “devil houses” and peopled them with “haints,” or ghosts, also clothed in the same red and blue barbed-wire motif that defines every Frank Jones drawing. Each creature smiles, so as, in the artist’s words, “to get you to come closer….to drag you down and make you do bad things.” Some of his drawings recall the architecture of the state penitentiary in Huntsville. Communal codes of prison life, the clock, the cell, the barbed wire, the inhuman creatures, are evident everywhere. Jones signed many of his drawings with only his prison number, further marking the community and the culture from which this artwork was born.

Brooke Davis Anderson, "Devil House," exhibition label for Folk Art Revealed. Stacy C. Hollander and Brooke Davis Anderson, curators. New York: American Folk Art Museum, 2004.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. 

To help improve this record, please email photoservices@folkartmuseum.org


Country Band of Five
Shields Landon Jones
Photographed by Gavin Ashworth
Shields Landon Jones
Early 1970s
1998.10.69A-E
Inez Nathaniel Walker, (1911–1990), “Untitled,” New York, 1973, Pencil, colored pencil, and cra…
Inez Nathaniel Walker
1973
1996.22.79
Garden of Hope
Virginia Leigh Jones
Photographer unidentified
Virginia Leigh Jones
1991
1991.9.11
Strip and Bow Tie Variation Quilt
Dennis Jones
Photo by John Parnell
Dennis Jones
1975
1991.19.1
Mary Jones Bishop, (dates unkown), “Basket of Flowers”, United States, August 17, 1927, Reverse…
Mary Jones Bishop
August 17, 1927
2009.13.22
William Pied Jones, “Curlew”, Maryland or North Carolina, 1940s or 1950s, Paint on wood, 6 1/2 …
William Pied Jones
1940s to 1950s
1996.4.13
Untitled
Inez Nathaniel Walker, (1911–1990)
Photo by Adam Reich
Inez Nathaniel Walker
n.d.
1996.12.35
Untitled
Inez Nathaniel Walker, (1911–1990)
Photo by Adam Reich
Inez Nathaniel Walker
n.d.
1996.12.38
Inez Nathaniel Walker, (1911–1990), “Untitled,” New York, 1973, Pencil, colored pencil, crayon,…
Inez Nathaniel Walker
1973
1996.22.1
John "Jack" Savitsky, (1910–1991), “View of Pottsville, PA”, Lansford, Carbon County, Pennsylva…
Jack Savitsky
1965
1997.9.1
Cow Jump over the Mone
Nellie Mae Rowe 
Photo by Gavin Ashworth
Nellie Mae Rowe
1978
1997.10.1