Skip to main content
Charles Carmel, (1865–1931), “Carousel Horse with Lowered Head”, Coney Island, Brooklyn, New Yo…
Carousel Horse with Lowered Head
Charles Carmel, (1865–1931), “Carousel Horse with Lowered Head”, Coney Island, Brooklyn, New Yo…
Charles Carmel, (1865–1931), “Carousel Horse with Lowered Head”, Coney Island, Brooklyn, New York, United States, c. 1914, Paint on wood with glass and horsehair, 58 5/8 × 63 × 14 7/8 in., Collection American Folk Art Museum, New York, Gift of Laura Harding, 1978.18.1. Photo by John Parnell.
Record Details

Carousel Horse with Lowered Head

Artist ((1865–1931))
Datec. 1914
Place/RegionConey Island, Brooklyn, New York, United States
MediumPaint on wood with glass and horsehair
Dimensions58 5/8 × 63 × 14 7/8"
Credit LineGift of Laura Harding
Accession number1978.18.1
CopyrightThe American Folk Art Museum believes this work to be in the public domain.
Description

Carousels can be traced back to games of horsemanship that reached their height as spectacles of pageantry in seventeenth-century France. These events devolved into an amusement for the masses that was revolutionized by the English invention of a portable center-mounted steam engine that could support the weight of three or four rows of horses on a rotating platform. When a German businessman began to manufacture such steam-powered English “roundabouts” on a large scale in 1883, the era of the carousel truly commenced.

In the United States, carousels developed in the waning decades of the nineteenth century and early years of the twentieth, just as the country experienced one of the greatest waves of immigration, mostly from Eastern Europe. At the same time, the American appetite for amusement continued to grow, along with time for leisure activities and the disposable income to afford them. Gustav Dentzel, a German immigrant, pioneered the modern carousel industry in America when he formed the G.A. Dentzel Company in Philadelphia in 1867. By 1876 another woodworker, Charles Looff, had created the first carousel at New York’s Coney Island.

This elegant horse was carved by Charles Carmel, who came to America in 1883 and settled in Brooklyn, near Coney Island. Carmel may have learned carving in Russia, and he apprenticed with Looff in America. When Looff removed to Rhode Island in 1905, Carmel opened his own woodcarving shop, contributing to the formation of the distinctive Coney Island style. His horses are renowned for their dramatic poses, jeweled decoration, and sweet faces. This example is a stander, a stationary horse with at least three hooves on the ground. In 1911 Carmel planned to open his own carousel in Coney Island’s Dreamland Park. When the park burned down, Carmel’s carousel and entire financial investment were destroyed with it, and he closed his shop by 1925. Carousel carving continued through the 1920s, but developing methods of mass production and the Great Depression effectively ended the era of the hand-carved carousel.

Stacy C. Hollander, "Carousel Horse with Lowered Head," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 369.

Carousel Horse with Raised Head
Charles Carmel
Photo by John Parnell
Charles Carmel
c. 1914
1978.18.2
Carousel Horse with Jewels
Marcus Charles Illions
Photo by Ken Hicks
Marcus Charles Illions
c. 1915
1982.4.2
Armoured Horse
Solomon Stein (1882–1937) and Harry Goldstein (1867–1945)
Coney Island, Brookl…
Solomon Stein
c. 1912–1917
1982.4.1
Charles Carmel, (1865–1931), “Outside Row Jumper Horse,” Brooklyn, New York, c.1918, Poplar Woo…
Charles Carmel
c. 1918
2020.1.4
Solomon Stein, (1882–1937) and Harry Goldstein, (1867–1945), “Carousel Horse with Raised Head,”…
Solomon Stein
c. 1910
1982.4.3
Artist unidentified, Lodge Goat, Possibly Vermont, Early 20th century, Painted wood with leathe…
Artist unidentified
Early 20th century
2020.16.1
Wild Boar
Mike Rodriguez
Photographer unidentified
Mike Rodriguez
1984
1985.20.29
Black Duck
Charles E. "Shang" Wheeler 
Photo by John Parnell
Charles E. Wheeler
c. 1930
1969.1.15
Captain Charles C.  Osgood, (1820–1886), “Red-breasted Merganser Drake”, Salem, Massachusetts, …
Captain Charles C. Osgood
c. 1880
1963.4.1
Canvasback Hen
Charles E. "Shang" Wheeler
Photo by Carleton Palmer
Charles E. Wheeler
c. 1930
1969.1.75
Charles Schoenheider, “Coot,” United States, 1800–1900, Paint on wood, 5 1/4 × 11 × 4 in., Coll…
Charles Schoenheider Sr.
1800–1900
1979.8.13
Canvasback Drake
Charles E. "Shang" Wheeler
Photo by John Parnell
Charles E. Wheeler
c. 1930
1969.1.74