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Probably Verity family member, “Lesser Yellowlegs,” Long Island, New York, c. 1900, Paint on wo…
Lesser Yellowlegs
Probably Verity family member, “Lesser Yellowlegs,” Long Island, New York, c. 1900, Paint on wo…
Probably Verity family member, “Lesser Yellowlegs,” Long Island, New York, c. 1900, Paint on wood and canvas, 4 1/2 × 10 3/8 × 1 1/2 in., Collection American Folk Art Museum, New York, Gift of Cordelia Hamilton, 1963.4.3.
Record Details

Lesser Yellowlegs

Artist ((1845–1920))
Datec. 1900
Place/RegionLong Island, New York
MediumPaint on wood
Dimensions5 × 10 3/8 × 1 1/2"
Credit LineGift of Cordelia Hamilton
Accession number1963.4.3
Description

Long Island, from the Great South Bay to Montauk Point, was an early site of systematic commercial hunting for wildfowl and shorebirdsand was supplying the New York markets by the 1840s. The area, known as a "gunners' paradise," was famous for its abundance of migratory birds and especially for its shorebirds, which became Long Island's dominant decoy form. Among the region's most exceptional shorebird carvers were members of the large Verity family, which worked in Verity Town (now Seaford). A number of characteristics identify Seaford decoys, including carved eyes and S-shaped wing patterns joining in a V at the tail.

Stacy C. Hollander, "Lesser Yellow Legs," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 367.

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